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I think Cees' point was that having, say, a TrueHD track and a dts-HD/MA track, both with the same audio content, is pointless, not that one should oppose having both a lossless movie-soundtrack and a lossless isolated-music track, or something of that kind. I've been saying so, but some here...

I'm pretty sure that can be guaranteed, with the same degree of certainty that the PCM audio on a CD can be guaranteed to be the same as what was on the master tape, that is, with the occasional uncorrectable burst error. One easy way which comes right to mind is to include checksums for the...

David, do you have a reference for this? I've seen it mentioned in posts here, but I haven't seen anything to the effect in the white papers I've read (as opposed to DD+, which clearly does). Maybe I haven't been observant enough, but if you could point me to the relevant area, I'd appreciate it.

I favour PCM, because it's not going to start a flame war. That said: I'm afraid this is simply inaccurate. That's exactly what it does. Any competent DSP engineer can design a system which will measure the errors in a signal, with respect to a reference, and generate compensatory data from the...