Search results

Oh no, I'm glad it turned out that way, with Maurice Jarre behind the synthesizers. Together with the beautiful and natural cinematography of John Seale it produced some great chemistry. I hate the thought of yet another bland, gray, run-of-the-mill orchestral score. I also love their work...

Most scores of today are quite redundant. They blatantly copy the emotion or action already given to us by the images. It's echoing the same information. In his liner notes on the LP of 'Prince of the City' Sidney Lumet writes: "The key to a good score is finding a function for the score that is...