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Those tests are almost always done with a microphone almost in the cone of the speaker, if you know what I mean. They were good for surrounds in the Dolby Pro-Logic system, because according to the specs, DPL didn't have lower frequencies in the surrounds. Cees

Nor does he have to be. Like Lance said, below 150 Hz, the two speakers will compensate each other out. Below 150Hz the wavelength of the produced sound will start to be as big as, or bigger than, the dimensions of the room. So it no longer matters where you're situated: the whole room will...