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The big difference is that anyone who can appriciate oil can also study, as intently as necessary, acrylics to discern a preference of one over the other. Such is not the case with this "style" of filmmaking. I did not see most of the film, because I COULD not. I had NO CHOICE in the matter. I...

To all of you who said that there is nothing wrong with the film's camera work, you are missing the point. It's not about "taste" and preferring the films of the past or "the good ol' days". I just turned 29, and I couldn't watch most of this film. The problem is that when directors choose to...