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Yes, post effect at Technicolor for "Reflections of a Golden Eye" using an optical printer and combining color & b&w positive dupes -- unlike "Moby Dick", which involved using wide-band separation filters to make b&w matrices from the color negative that had a lot of crosstalk...

I used to think that shot from Citizen Kane with Kane in the foreground at the typewriter was all done with deep-focus (stopping down the lens), but looking at it again, the wall behind Orson Welles' head is not in sharp focus even though it is farther than Joseph Cotton is, so clearly the shot...

Yes, TNG was shot on 35mm film but transferred to standard def video for post and efx, unlike TOS or Space:1999, which were finished in 35mm so new transfers to HD were not as problematic. And TOS had a lot fewer episodes with fewer efx per episode, so redoing the visual efx for HD was not as...