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Just saw Blade Runner on a Sony VPLVW 100 with a Panamorph lens. Very impressive on a Stewart CineCurve 2.40:1 variable masking screen. I didn't study the picture but didn't see much distrotion etc... Neil

WoW, Jeff must have been an abused child! The Sony VPL VW 60 and 100 projectors are offering an Anamorphic mode to be used with an Anamorphic Lenes. I noticed this after my first posting. I have the VPL VW50. Building a variable format screen is no problem for me (and many others). As far as the...

Carlo, 1st of all I've always questioned 16X9 1.777:1 because it was an average of all formats. 1.85:1 may have been a better choice. It would be nice to take advantage of all of the resolution available in our equipment more often. It will be interesting to see what happens when the movie...

Has anyone taken advantage of the anamorphic mode using an anamorphic lense with the new Sony projectors? Neilmot

Thank you for the reply! I think the only way that this will change is if the customers (that would be us) start pushing or if there's some competition and those sales are measurably better. Is anyone voicing this issue in large numbers? I do agree with your pristine comment... It is...

if you do the math, a 2.35:1 movie will be 813 by 1911 pixels. That is 1080-813 = 267 dark horizontal lines. Seems like there were more 1.85:1 movies around in the DVD days..... Fantastic, technology but......:frowning:

Now that we've arrived and have the best of the best equipment I have very expensive high resolution dark pixels. At least with DVDs there was some anamorphic and 16X9 material. I know all of the arguments, but..... So what is the good of all of that resolution when most movies will very rarely...

Please explain the following: 1. If I have all of the decoders in my receiver why do I need them in the player. I assume the digital data would be passed without any processing to the receiver and it would do the decoding. This could help with a low cost player when receivers with the new...