Which leads into my question, Gregg. How much importance do you attach to backlighting? Is it something you would recommend for every display (for viewing in the dark)?
Despite all the kerfluffle over embargoes and such, this is essentially a critic proof film, no? Anyway two disparate but interesting critics, Roger Ebert (Chicago Sun-Times) and Kyle Smith (NY Post) both gave the film :star: :star: :star: :star: today, for those looking for a critical 'goose'.