EC Comics had some seriously violent and gruesome stories including killer Santas and axes in the head and razor blades in the hall...so I could see HIII fitting right in. Just re-watched the Amicus EC films (uncut) that are pretty fun and bloody for the day.
Since I was a Fangoria kid, I knew what to expect and loved the idea as I hated HALLOWEEN II. I heard the confusion in the audience opening weekend but I loved it then and now. It's a truly subversive approach but the film and marketing should have let the audience know what was in store. It...
The US cut is literally edited like an MTV video and the International cut is not. So the US scenes actually lack flow and rhythm but I admittedly love the TD score minus the horrible Jon Anderson song at the end.
The 2k looks amazing and every image is like a painting. What I miss in the US...
Even as a geek kid I found this film's conceit so strange I could never gel to it despite liking the music and having a childhood crush on Jodi Foster. I questioned the premise of the splurge guns and the obvious editing used to make it work -- did the targets die or...? I remember when the film...
And Scott complained that Kubrick took his most manic takes, the ones he didn't like, and used those in the film (to not always great effect as some of Scott's takes are exactly the kind of over the top style that would lead Kubrick to letting Nicholson chew through doors). Hayden works because...
That's like saying "You can't criticize satire for being obvious!" And yeah, I consider SP easy obvious satire (puppets shitting themselves! Peter Jackson did it smarter). By that standard, all satire must be viewed uncritically. DR. STRANGELOVE is my peak film satire. ACO, with all its...
So is the novel but minus the fish-eye grotesque lens of the other characters. And knowing Kubrick's work, Deltoid's overacting is just that. What POV is the writer's eyes bulging as Alex sings?
The irony is that yes, ACO is one of the most faithful book-to-film adaptations in terms of closely following scenes and of course the narration.
BUT. The POV of the film is not Burgess but Kubrick. Look at the Cat-Lady who is shown as an aggressive loudmouth (as Pauline Kael rightly pointed...
When I was 15 and first saw ACO I thought it was brilliant. Over the years, I've come to dislike Kubrick's overplaying of all the actors, the peak of his worst instincts and the cheap easy answers as opposed to the novel. Now it's on my rung of Kubrick I never need see again while BARRY LYDON...
I thought it looked fine and could only tell it was a TV scene usually by the fact I hadn't seen it before. There's only two scenes that should have been included, with Bridges telling Dwan that if Kong dies they can't be together and the badly filmed death of Grodin. Even as a kid in the...