It’s a visceral experience.
Pulp Fiction, his second feature production begins by lulling you into quiet state, and then hits you over the head – and then the Main Titles hit.
It’s a terrific cinematic experience.
I like the film a great deal, and had trepidations about the new 4k, knowing that it was coming from Paramount, but I’m thrilled by what I’m seeing and hearing. It was shot on a normal speed Kodak stock, and while the 4k appears almost grainless, it’s there. At least I presume that’s the original grain, although anything is possible.
But bottom line, resolution has not been tainted, it looks fabulous, and that’s what matters. I’ve got to believe that Mr. Tarantino, as a film geek, would not have approved a de-grain.
Color, densities, black levels and stability are all state of the art, and the track will clean the lint from your speakers.
The overall resolution in projection is magnificent.
A beautiful representation of the film on a tiny silver disc.
Image – 5 (Dolby Vision)
Audio – 5 (DTS-HD MA 5.1)
Pass / Fail – Pass
Plays nicely with projectors – Yes
Makes use of and works well in 4k – 4.5
Upgrade from Blu-ray – Absolutely
Highly Recommended
RAH
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Robert has been known in the film industry for his unmatched skill and passion in film preservation. Growing up around photography, his first home theater experience began at age ten with 16mm. Years later he was running 35 and 70mm at home.
His restoration projects have breathed new life into classic films like Lawrence of Arabia, Vertigo, My Fair Lady, Spartacus, and The Godfather series. Beyond his restoration work, he has also shared his expertise through publications, contributing to the academic discourse on film restoration. The Academy Film Archive houses the Robert A. Harris Collection, a testament to his significant contributions to film preservation.
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