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Dick said:Duplicate post. Sorry.
I agree, I have this policy too.Michel_Hafner said:Hooray. But no purchase till reviews/stills confirm a quality release.
Got yours already? Mine isn't due from Amazon till January 26th . I see that Amazon now has them in stock. Guess mine will soon be shipped. Will post my briefing when I view it .Erik_H said:I received the Blu Ray of "The Emerald Forest" yesterday and found the PQ to be very erratic. Exterior daytime shots often looked stunning but visual "noise" was annoyingly prevalent in more darkly lit scenes. Disappointing, as I remember being very impressed by the photography when I saw "The Emerald Forest" during its theatrical run in 1985.
Maybe by visual noise you mean grain?Erik_H said:I received the Blu Ray of "The Emerald Forest" yesterday and found the PQ to be very erratic. Exterior daytime shots often looked stunning but visual "noise" was annoyingly prevalent in more darkly lit scenes. Disappointing, as I remember being very impressed by the photography when I saw "The Emerald Forest" during its theatrical run in 1985.
Agreed on the PQ. Definitely gorgeous in parts, but it's a mixed bag. The grain is dense to the point of distraction in parts and there's "rolling" visual anomalies in some of the darker jungle scenes, almost the way a test pattern repeats.Konstantinos said:Maybe by visual noise you mean grain?
And by the way, does it have English subtitles?
It's grain. The reason being is two-fold: There are some on-location shots that are clearly done on weaker film stock, like it seems 16mm footage was used in deep interior locales (i.e a shot of the father riding a canoe into the interior.Konstantinos said:Maybe by visual noise you mean grain?
And by the way, does it have English subtitles?
Mark Cappelletty said:No English subs.
Thanks for the heads up on the subs. I only scanned through the title and only checked to see if there were subs on the English dialogue scenes.JoHud said:There are subtitles on this, but it is only to translate the native language.
It's grain. The reason being is two-fold: There are some on-location shots that are clearly done on weaker film stock, like it seems 16mm footage was used in deep interior locales (i.e a shot of the father riding a canoe into the interior.
There are also several process shots, mostly dealing with some not-too-great matte work in the film..