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speaking of 65mm, was impressed by the transfer of ICE STATION ZEBRA I saw on HBO Max. there is no mistaking any frame for 35mm. not saying its a great film and 65mm is no friend of some bad 60s cinematography and visual fx.

Agree with you about liking the Turner cut better. The ending of the Seydor cut is really underwhelming. He goes into his reasonings for his editing choices in his great book about the film but it doesn't add up to a satisfying emotional experience in my opinion. A shame because it's a film...

Where are you streaming the better looking version of Pat Garrett ? Yes, the 2 DVD set of that film (all of the versions) doesn't look as good as it could. I'm a huge Peckinpah fan and would love to see better transfers of those cobbled together versions. Paul Seydor is the expert on the...

The director, the cast, the people making the film know the difference. Cinema experts and those that know cinematography can tell. I worked for a magazine for years. Some photographers shot on 4x5 or 8x10 film. To me, the people being photographed - we understood that they were doing...

I think you are missing the point of that aesthetic choice. For the few filmmakers that choose to shoot in that format, and who have the Hollywood and financial clout to have it filmed and then projected on film in 65/70mm (Tarantino) in a few choice venues, it was worth it. Paul Thomas...

There is no correlation between the population of the US and the need for blu rays of those two titles. I'm a film lover and love Anthony Mann's work and have zero interest in those films. For the record, my issue is not with those films but your assumption that this is a slam dunk excellent...