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A color widescreen frame grab of Bella Darvi from THE EGYPTIAN. Your computer is evidently not opening it.

I'd definitely go for Shamroy. The first film of his in which I marveled at the cinematography and knew it was his was PLANET OF THE APES (1968). Then I started catching his older films, usually at repertory screenings at places like the Museum of Modern Art. The only black mark on his list is...