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my box has the uncorrected info; GB1=1:33 fullframe. But it is indeed 16:9 widescreen.

interestng that improved encoding techniques on 'regular' DVD editions will often equal or surpass the quality of a Superbit edition- I thought my CE box of THE DARK CRYSTAL (vob 9/2004) looks as good as or better than the Superbit Edition (vob 3/2004- if memory serves) now if we could get...

me too. and given that the original transfer is what-5 years old?-just having both of these remastered-assuming its true and not a marketing gimmick-makes them worth buying especailly at a likely street price of under $15

one GB FULL screen and the other 16:9 wide?! It makes sense only if you realize that CRACK must be plentiful and easy to acquire around the SONY offices, eh?

...from VIDEO BUSINESS DVD Exclusive. May 9, 2005: (interview with Ivan Reitman, being asked about re-doing commentaries:) --- DVDX: So you prefer then to do a commentary looking back with a little distance from the film? REITMAN: I actually like that. I've been able to do it lately, because...

ya know-the art of transfering/compression has come a long way since 1999-now that the current SE is 5 years old, I think a digital restoration, or at least a state-of-the-art remaster would be a good idea...along with the added extras-c'mon Sony, heres a chance for a double dip-dont let it pass...