Not exactly Brook, :D but I would suggest that some of his films were too advanced for the general public at the time (and even today). But even for those who don’t care for the theme of ‘Woman’, have to be impressed with the quality, acting, etc. of this film
Both these choices are, in the end, pretty easy—even though I really like all four films. Midnight Cowboy-I’m not sure that The Shoot Horses Don’t They is not the better film, but ‘Cowboy’, is still the only serious film to have challenged the ‘X’ rating. A Woman Under The...
I agree with George here. Hearts and Minds, regardless of its merits as a film, is a documentary that really is not particularly innovative and did nothing much to change the state of American filmmaking. M*A*S*H, regardless of its merits, was one of a handful of Altman films that really did...
I already used a second for The Conservation—who gets their second back Brook? Walter or me? Regardless, I’ll use my other two: Second: The Boys in the Band Badlands
Nominate: Nashville—I know that there are a couple of Altman noms already, but I think that this is quintessential Altman, in telling a story differently. Salesman—one of the most important documentaries ever, it defined a documentary style and set a standard that has not often been matched...