Search results

Anspaugh and Angelo Pizzo were heartbroken when Goldsmith died before he could do The Game of Their Lives. And yes, both the other films were great experiences for the guys and for Goldsmith. Mostly, from what I've gleaned, because Goldsmith simply liked the guys and liked the movies. And he...

To give you a happier story with Jerry Goldsmith, I have worked with David Anspaugh, who worked well with Goldsmith. He told me about screening a rough cut of Hoosiers for Jerry Goldsmith when they were trying to get him to do the score, even though they didn't have a big budget. Apparently...

Ridley Scott admits on the very cool Legend DVD from 5 years back that he went along with the replacement of Goldsmith's score, but regretted it afterwards.

Getting back to ALIEN, I have felt that the use of cues from other Goldsmith scores always stood out as the "Freud" material was different in tone. On the other hand, I didn't mind the subsitution of the Hansen "Romantic" piece to go over the end credits.

Dalek, that was the one. Thank you. Of course, listening to the samples shows that the music certainly wasn't at the same level as that of Amazing Stories. But I still liked the revisionist Main Title - it's got a nice edge to it. Between the 80's TZ and Amazing Stories, I always felt...

The first episode of AMAZING STORIES ("Ghost Train") was scored by John Williams, with a cue that echoes the main title theme for the series. Williams also scored the only other episode that Spielberg directed, "The Mission". Both of those scores are available on the Intrada collection, but the...

I held onto my original 1999 Alien DVD even after getting the Quadrilogy specifically because of the three audio tracks that don't show up anywhere else. If I ever wanted to do a term paper or the like on ALIEN, having two separate Ridley Scott commentaries, recorded some 4 years apart from...