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From what I've read about the production of "47 Ronin," I don't think it's all specifically Rinsch's fault, or the fault of any one particular technique in shooting the film or designing the production. I think the real problem was that they rushed into production with an unfinished script...

Hmm... a site called RealOrFake3D.com calls it real. I have no idea if they're trustworthy, but I kinda like the name :) Stereoscopynews.com (another site I've never been to before) also says native " "47 Ronin" was shot natively in stereoscopic 3D with ARRI ALEXA cameras on Cameron-Pace...

Hi Kevin - found myself agreeing with your assessment of the film. Mighta, coulda, shoulda been something, but in the end, wasn't. The only thing, and I may be mistaken (all I can find to back me up at the moment is the iMDB, which is obviously not perfect), is I thought this was natively shot...