All 65mm formats use five frames. Additionally, the 65mm negative frame dimensions for Todd-AO, Super Panavision, Ultra Panavision and Dimension-150 are: 2.072 x 0.906 inches.
Interesting page from the Widescreen Museum:
http://www.widescreenmuseum.com/wide...spectratio.htm
It can be difficult or time-consuming to produce dailies from 65mm - especially on location. 65mm is really expensive, also. Panavision didn't create enough lenses for their Super Panavision cameras in the late 60s, either. Epics went out of style in the early 70s. 35mm stocks and lenses got...
It's great that so many 65mm origination films are being transfered in high-definition from the prime 65mm elements - the Ryan's Daughter transfer is astounding. I really can't wait to see the new 2001: A Space Odyssey transfer. But I'm pretty much obsessed with the the tragedy of the Danish...
Oh, joy! A long wait, but thank goodness that this finally coming to DVD. After the Ben-Hur remaster, I assume that this will be mastered from the 65mm neg or interpositive? This could prove to be a mind-blowing transfer - and a good way to kick-off Blu-Ray.
Well spotted, Juan!
There is a Russia edition available: http://www.dvdigital.ru/dvd/g0.w48
But it is listed at 125 minutes. It's from Columbia.
Hopefully, for £6, we get a pristine anamorphic 2.35:1 transfer. I have to admit that I expected a SE, but I'm glad it has finally made its way to DVD.
Yeah, it's a bit puzzling:
- Columbia, Turner, Castle Rock, et al were the production companies/distributors
- Castle Rock released it on VHS
- Columbia Tri-Star released the Laserdisc in 1997.
Confusing stuff. Why do Warner believe they may have the right to DVD production and...