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"You probably aren't shooting those interiors with a 70-200 or 300 fast prime tho. Even those are debatably improved by a Mono, but the superteles basically require one (or a tri)" No, I'm usually at the wide end of the spectrum. If I do want to zoom in on some feature, I need the stability...

I ended up selling my monopod. I shoot a lot of movie palace interiors and neon signs, and found the monopod only helped with exposures from around 1/4 to 1/8th of a second. Any faster than that I could do handheld, any slower and I needed a tripod. I picked up a light tripod which is serving...