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It’s owned by NBCUniversal.

I've just heard that GUN FURY and MISS SADIE THOMPSON are going fast in their new sale. Both 3-D restorations by Grover Crisp are stunning and well worth it. Don't wait!

I used to have a 35mm dye-transfer 1957 Technicolor print of LOVING YOU but it deteriorated with Vinegar Syndrome. The VistaVision footage is razor sharp and the intended aspect ratio is 1.85:1.

I certainly will, thanks Camps. In the meantime, please be sure to let Grover Crisp at Sony and Nick Redman at Twilight Time know that you would purchase a 3-D Blu-ray release of the remaining Columbia 3-D features. It's now or never!

The only title with a legal hurdle in your list is THE GLASS WEB due to music issues. The other titles that are held up are due to distributor apathy, I'm sorry to say.

Their 3-D film presentations were a textbook example of what killed the process in the 1950's.

Representatives from Twilight Time read this thread. They can certainly share the interest in these remaining five 3-D titles from the Columbia vaults with Grover Crisp at Sony. He's the man that can make it happen so let your voices be heard. Not many venues around the world can run these...

I agree, the Castle titles would do well. Among other attributes, they are the most gimmick-heavy features of the Columbia titles.

Sony has had a restored 3-D master on Gun Fury for several years now. The problem with the remaining five Golden Age Columbia 3-D features is the fact that as of 2013, no work had been done by Sony on creating a 3-D master. I don't know if anything has been done in the last three years. The...

Not all of them, some Allied Artists titles are with Paramount.

Not sure how THE MAZE was thrown into the mix, that's a Paramount title and TT primarily licenses from Fox and Sony.

When will you release THE MAD MAGICIAN and GUN FURY on 3-D Blu-ray?

Miss Sadie Thompson, The Mad Magician and Gun Fury should have been released on 3-D Blu-ray before Man in the Dark. DARK is the weakest of the four titles with the most baked-in stereoscopic issues.

The amazing Grover Crisp and his team at Sony did the work on MISS SADIE THOMPSON. In a word: stunning.

1.85:1 was the optimum recommended ratio for VistaVision productions from day one. More info here: http://www.3dfilmarchive.com/home/widescreen-documentation

This page will give you an idea of just how much 1950's 3-D gold is still waiting to be released: http://www.3dfilmarchive.com/golden-age-3-d