- View New Content
- Blu-ray, DVD, Streaming Video and Digital Downloads
- Home Theater Hardware
- Theaters, Remotes and Accessories
- Equipment Reviews
- DVD & Blu-ray Reviews
- Other Diversions
- Bargains and Deals
- Feedback and Testing
- Theater Photos
DVD & Blu-ray Reviews
- Equipment Reviews
Blu-ray Release Listings
- Shop Amazon
DVD & Blu-ray Deals
Categories See All →
DVD & Blu-ray Reviews
Wild at Heart Blu-ray Review
Apr 20 2014 01:26 PM
David Lynch's Wild at Heart is a wonderful "huh?" movie. You know those. They're the types of films that constantly keep a view... Read More
Broadway Danny Rose Blu-ray Review
Apr 19 2014 01:40 PM
Broadway Danny Rose was the third Woody Allen picture that Mia Farrow made with her then-companion, a relationship that generat... Read More
Black Nativity Blu-ray Review
Apr 20 2014 04:09 AM
A troubled teen gets to the bottom of his splintered family in Kasi Lemmons’ Black Nativity. An unusual and sometimes uncomfort... Read More
Once Blu-ray Review
Apr 18 2014 04:18 AM
Writer-director John Carney has fashioned a lilting quasi-romantic drama with music with Once, a slight, scruffy little charmer... Read More
Knights of Badassdom Blu-ray Review
Apr 17 2014 08:17 AM
Sporting what many would consider a top cast, including Ryan Kwanten (HBO’s True Blood), Steve Zahn (ABC’s Mind Games), Summer... Read More
No Blu-ray ReviewBlu-ray Sony Pictures
Jun 30 2013 06:47 PM | Richard Gallagher in DVD & Blu-ray Reviews
- Studio: Sony
- Distributed By: N/A
- Video Resolution: 1080P/AVC
- Aspect Ratio: 1.40:1
- Audio: Spanish 5.1 DTS
- Subtitles: English, English SDH, French
- Rating: R
- Run Time: 1 Hr. 58 Min.
- Package Includes: Blu-ray
- Case Type: Standard Blu-ray Amaray
- Disc Type: BD50 (dual layer)
- Region: A
- Release Date: 06/25/2013
- MSRP: $35.99
The Production Rating: 4.5/5Anyone who has seen the 1982 Costa-Gavras film Missing, starring Jack Lemmon and Sissy Spacek, is familiar with the backstory behind No, an award-winning political thriller directed by Pablo Larraín and starring Gael García Bernal [The Motorcycle Diaries, Bad Education]. In Chile in 1973 the Marxist government of Salvador Allende was overthrown in a military coup which was supported by the CIA. Allende, who committed suicide rather than surrender to the military, was replaced by General Augusto Pinochet, who ruled Chile as military dictator for the next 15 years. During Pinochet’s regime tens of thousands of Chileans were executed, tortured, imprisoned, or simply disappeared. By 1988 international pressure forced Pinochet to agree to a national referendum on his presidency. It was to be a simple vote, as there would be no candidate running against Pinochet. Voters who supported him would vote "Yes" and those who opposed him would vote "No." A law prohibiting political advertising was suspended, and each side was given equal time to make its case each night on television.
Pinochet and his supporters are not particularly worried. Opposition to his regime is splintered and his reign of terror has understandably made many fearful Chileans reluctant to take a stand. Indeed, the leaders of the "No" movement are convinced that the balloting will be fixed and they have no chance of prevailing. Nevertheless, they are determined to give it their best shot. Recognizing that they need to make the most of their television time, they reach out to René Saavedra (Gael García Bernal), an advertising whiz who has impressed business leaders with his work on Chile's version of the cola wars. René sympathizes with Pinochet's opponents but he is reluctant to get involved. For one thing, his boss, Lucho Guzmán (Alfredo Castro), supports Pinochet. For another, René's success allows him to leave a comfortable, even luxurious lifestyle. His lives with his son and he has a complicated relationship with his ex-wife (Antonia Zegers), who has more radical political ideas.
Eventually René decides to help the "No" forces and he begins working on a television campaign. His politics may not be overtly radical, but the same cannot be said about his approach to campaigning. The anti-Pinochet people want to campaign on opposition to the brutality and oppression of the Pinochet government, but René insists upon going in a different direction. Polling shows that many of the people who would be expected to oppose Pinochet have no intention of voting. Some believe that voting is pointless and others fear retribution. René reasons that highlighting torture, missing people and executions will only serve to reinforce the fears of the people. Instead, he proposes a campaign which will be consistently upbeat, a campaign which downplays the horrors of the current regime and instead promises a brighter future if Pinochet is removed from office.
Even those who know the outcome of the 1988 referendum will be impressed by the suspense which is generated by No. As the campaign progresses, Pinochet's minions begin to recognize that the opposition's message is starting to resonate with voters. René soon has reason to be concerned for his son's safety, and violence breaks out at a "No" rally. Gael García Bernal is excellent in the lead role as a very reluctant hero, and the supporting cast is equally impressive. Director Pablo Larraín does a fine job of moving the story along, and it spite of its political overtones the film never becomes preachy. Although No does not discuss the current situation in Chile, by all accounts the country now has perhaps the strongest economy in South America. No is an exciting political drama which deservedly received an Academy Award nomination for Best Foreign Language Film of the Year.
Video Rating: 4/5 3D Rating: NA
The video rating for No likely will cause some controversy, because this is not a pretty-looking film. It is delivered in 1080p, but in the unusual aspect ratio of 1.40:1 via the AVC codec. The cinematographic process is listed as follows:
Betacam (archive footage)
Digital Intermediate (2K) (master format)
U-Matic (source format)
Rather than produce an eye-catching widescreen image, the producers decided to strive for documentary-like authenticity by seamlessly integrating archival and new footage. The result is not spectacular, but it is uncannily effective. Indeed, the filmmakers have done such a fine job that it often is difficult to distinguish the old footage from the new. I have given the Blu-ray video a high grade because it fully replicates precisely what the filmmakers intended.
Audio Rating: 4/5The Spanish 5.1 DTS-HD MA audio is excellent in every respect. The English, English SDH and French subtitles are easy to read. The surround channels come alive during the scenes of street violence, but this is primarily a dialogue-driven film. I have no familiarity with the music of Chile, but the fine score by composer Carlos Cabezas presumably does an authentic job of capturing the mood of 1988 Chile.
Special Features: 3/5The extras consist of a commentary track by Pablo Larraín and Gael García Bernal. The commentary track is in English stereo and both men speak English very well. The film obviously was a labor of love and they seem to be enjoying themselves as they discuss the film.
A question and answer session with Gael García Bernal was filmed at the Toronto International Film Festival. It is presented in 1080p widescreen and English stereo. Once again Bernal demonstrates that he is fluent in English. The audience's response to the film appears to have been quite enthusiastic. The Q&A session has a running time of nearly thirteen minutes.
The original theatrical trailer also is included, as well as trailers for West of Memphis, The Company You Keep, At Any Price, Amour, and Love is All You Need.