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DVD & Blu-ray Reviews
Ray Donovan: Season Two Blu-ray Review
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The second season of Showtime’s hit melodrama Ray Donovan focuses even more firmly on the dysfunctional Donovan family and the titular character’s continual... Read More
Blackhat Blu-ray Review
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At the time of its theatrical release, director Michael Mann’s Blackhat was a timely film, dealing with cyber terrorism, after the cyber attacks on Sony Pict... Read More
Glee: The Final Season DVD Review
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Once the critical and popular darling of the American airwaves with millions of iTunes downloads, Emmy Award and Golden Globe wins, a cherished Peabody Award... Read More
The Loft Blu-ray Review
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A twisty thriller that gets a little bit carried away with its own trickiness, Erik Van Looy’s The Loft, an American remake of his 2008 Belgian thriller (it... Read More
Killing Lincoln Blu-ray ReviewBlu-ray Fox TV Reviews
- Studio: Fox
- Distributed By: N/A
- Video Resolution: 1080P/AVC
- Aspect Ratio: 1.78:1
- Audio: English 5.1 DTS-HDMA
- Subtitles: English SDH, Spanish, French
- Rating: Not Rated
- Run Time: 1 Hr. 36 Min.
- Package Includes: Blu-ray, UltraViolet
- Case Type: keep case
- Disc Type: BD50 (dual layer)
- Region: A
- Release Date: 06/11/2013
- MSRP: $29.99
The Production Rating: 4.5/5Narrated by Tom Hanks who fills in historical detail for sequences that have not been dramatized from the validated eye-witness testimony of those involved in this mesmerizing story of treachery and tragedy, Killing Lincoln works its way methodically through the parallel stories of Abraham Lincoln (Billy Campbell) as he wrestles with the last days of the war and the acclaimed, strutting John Wilkes Booth (Jesse Johnson) whose original plans to kidnap the President and key members of the administration in order to assure the South’s final grasp at triumph turn instead to murder during an epiphany which occurs near the end of one of his stage performances.
Based on the best-selling book by Bill O'Reilly and Martin Dugard, Erik Jendresen’s screenplay which offers both dramatic scenes and Hanks’ fill-in narration seems utterly faithful to history and balances both narrative and drama in equal parts so that the film does seem one of a piece and not a fragmented, arid history lesson with a talking head and actors doing feeble reenactments of history. Director Adrian Moat stages scenes wonderfully (on a micro-budget of $3.4 million, small for a period TV-film, and shot in fifteen days), and everything seems authentic (some of the locations are the real thing such as Jefferson Davis’ Richmond study; others like Ford’s Theater are recreated quite magnificently with the camera tricking the eye into seeing a theater full of patrons instead of the twenty-eight who were actually there as extras). Information about the events leading up to and after the assassination are interwoven so carefully through the story being told that one is learning and being entertained at the same time: the best kind of documentary. And no matter how well one claims to know the facts, the film has some amazing revelations. And Moat has done something else that’s really inspired: many of the conspirators are not filmed full face through the film so that when we get to see the actual Alexander Gardner photographs taken of the condemned men at the time of their arrest, it’s a simply riveting revelation which once again plays up the program's faithfulness to history.
Though there are eighty speaking parts in the movie, only three actors have substantial speaking roles. Billy Campbell captures the essence of the goodness and gentility of Abraham Lincoln and makes a fine President if one isn’t expecting Daniel Day-Lewis. The larger of the two main roles, however, is the John Wilkes Booth of Jesse Johnson, and he’s quite wonderful. He looks very much like the real Booth and reproduces his noted swagger and racism most believably. Though he doesn’t play the role with any kind of Southern accent (Booth hailed from Maryland and possibly didn’t have one though most actors playing him usually adopt an accent), he brings out Booth’s growing fanaticism and pride in his “great accomplishment” and leaves the viewer with fewer mixed feelings about his mental stability than other renditions of the man have offered. Geraldine Hughes seems a tad young and pretty to be playing Mary Todd Lincoln (she was 47 at the time of Lincoln’s death), but her one big scene by his side at his death is played with the expected amount of frenzied grief. Tom Hanks, of course, grounds the movie with his genial authority and is most effective as the storyteller.
Video Rating: 4/5 3D Rating: NA
The transfer is framed at its television widescreen aspect ratio of 1.78:1 and is presented in 1080p using the AVC codec. Sharpness is the most erratic element here with some shots nicely sharp and defined and others seeming soft-focused and inconsistent. Color has been drained a bit from the image perhaps adding a more antique look to the photography, and contrast has been dialed down a bit turning the images sometimes a bit milky and sapping depth from the blacks. The film has been divided into 24 chapters.
Audio Rating: 4.5/5The DTS-HD Master Audio 5.1 sound mix makes the most of its small budget. Care has been taken to offer some split effects during some of the more action-filled scenes (the shooting and its aftermath; the surrounding of Booth in the barn), and David Buckley’s music gets a nice spread through both the fronts and rears. Dialogue and narration have been well recorded and have been placed in the center channel.
Special Features: 3/5Audio Commentary: Screenwriter Erik Jendresen provides a fascinating play-by-play offering up additional biographical and historical information as scenes play out on screen. A must listen.
Bill O’Reilly Interview (5:04, HD): the author of the original book discusses his reasons for writing it.
Uncovering the Truth: The Making of Killing Lincoln (22:22, HD): producer Ridley Scott, director Adrian Moat, screenwriter Erik Jendresen, actors Billy Campbell, Jesse Johnson, and Geraldine Hughes along with the program’s costume designer, make-up supervisor, and production designer all discuss their work on the project.
Lincoln in Virginia (0:17, HD): a promo ad for touring historical Virginia sites.
Five Production Featurettes: brief interview segments to promote the program.
- Becoming Booth (2:39, HD): Jesse Johnson describing his process
- Becoming Lincoln (2:00, HD): Billy Campbell mentioning his small amount of prep time for the role
- Playing Mary Todd (1:51, HD): Geraldine Hughes describes her thrill at playing an icon
- Directing a New Lincoln Story (2:16, HD): Adrian Moat and his desire to make the most of his limited budget and time
- Killing Lincoln Preview (1:39, HD): a National Geographic promo for the special
Promo Trailers (HD): Hitchcock, Stoker, A Late Quartet, The Last Ride, Atlas Shrugged Part II, The Bible, The Oranges, Homeland.