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DVD & Blu-ray Reviews
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A Letter to Three Wives Blu-ray ReviewBlu-ray Fox
Sep 17 2013 01:30 PM | Matt Hough in DVD & Blu-ray Reviews
- Studio: Fox
- Distributed By: N/A
- Video Resolution: 1080P/AVC
- Aspect Ratio: 1.33:1
- Audio: English 2.0 DD, English 1.0 DTS-HDMA (Mono)
- Subtitles: English SDH, Spanish, French
- Rating: Not Rated
- Run Time: 1 Hr. 43 Min.
- Package Includes: Blu-ray
- Case Type: keep case
- Disc Type: BD50 (dual layer)
- Region: A
- Release Date: 09/17/2013
- MSRP: $24.99
The Production Rating: 5/5When town vixen Addie Ross (the voice of Celeste Holm) leaves a note for three of her women acquaintances informing them that she’s run off with one of their husbands (without saying which one it is), it allows each one of them to ruminate about her own marital relationsip. For Deborah (Jeanne Crain), it’s a moment to ponder whether her unsophisticated background was enough to drive rich husband Brad (Jeffrey Lynn) into Addie’s waiting arms (they had dated years before he had gone into the service and met her). Rita (Ann Sothern) wonders if her late night hours writing for a forgettable radio drama and earning a show business salary far in excess of her schoolteacher husband’s (Kirk Douglas) earnings might have soured him on their relationship. For Lora Mae (Linda Darnell) who came from a lower class hovel and married her wealthy boss (Paul Douglas) whom she feels doesn’t either love or respect her, it’s not so much fear as resignation of a lost opportunity to prove to her husband that she didn’t marry only a meal ticket but rather the man she has grown to love. Eventually, the woman learn the truth and come face to face with what really matters in each of their relationships.
Mankiewicz boiled down the original five wives (from John Klempner’s novel) to three and was able to flesh out their individual stories beautifully. Each of the three segments has its own rhythms and shadings (the Jeanne Crain one is the least interesting though seeing the beautiful actress in probably the ugliest dress ever designed for a Hollywood star does give the segment a certain notoriety), and Mankiewicz directs the slight slapstick tomfoolery in the first, the brilliantly conceived, written, and performed dinner party in the second, and the ritualized courtship of Lora Mae (who refuses to go all the way without a wedding ring) in the third with attention to detail and an amazing ability to focus on individuals without sacrificing the group dynamic which would be a hallmark of his directorial style throughout his entire career. The second segment with its mix of a loving couple surrounded by a motley crew of the crass and the heartless and topped by the scene-stealing antics of the priceless Thelma Ritter as an unwilling maid certainly suggests the brilliance to come the next year with the writer-director’s masterwork All About Eve. But A Letter to Three Wives is no bridesmaid. With its shrewd comments on social mores and an acerbic look at a broad spectrum of humanity, it can stand with the best of the films from this cinematic master craftsman.
Linda Darnell and Ann Sothern are the standout stars of the film, each embodying her role with a zest and fire that suit their individual characters beautifully. Jeanne Crain is a decidedly lesser presence in the less interesting role of the farm girl who marries wealth and then tries to live up to it. Accordingly, the actors playing the husbands of Darnell and Sothern – Paul Douglas and Kirk Douglas – strike their own sparks in flinty character parts. This was Paul Douglas’ screen debut, and he acquits himself admirably as the brash businessman who eventually learns to prize the gem he’s landed. Kirk Douglas as the dedicated and plainspoken teacher who eventually snaps and tells his wife’s boss exactly what he thinks of the drivel the radio is offering shows the kind of restraint that would be harder and harder for him to manage in the decades to come. Just as with his on-screen wife Jeanne Crain, Jeffrey Lynn doesn’t register nearly as powerfully in an underwritten role. Connie Gilchrist and Thelma Ritter give wonderfully funny performances as some folks from the wrong side of the tracks (literally, in a running gag that works every time). Florence Bates makes a memorable impression as the monster boss whose thoughtlessness and lack of real class are stamped on her every word and gesture.
Video Rating: 4.5/5 3D Rating: NA
The film’s original theatrical aspect ratio of 1.33:1 is faithfully reproduced in this 1080p transfer using the AVC codec. Sharpness is superb throughout (apart from glamour close-ups particularly of Jeanne Crain), and there is detail to be seen in facial features and hair. The grayscale is wonderfully realized with its crisp whites and inky blacks. In fact, apart from a few wayward specks early on and some momentary line twitter, the encode is free from age-related artifacts. The film has been divided into 18 chapters.
Audio Rating: 4/5The DTS-HD Master Audio 1.0 sound mix is more controlled and a bit tighter than the slightly louder Dolby Digital 2.0 stereo track which is also provided. The dialogue has been well recorded and is always completely discernible, a good thing for a film in which what is said is so vitally important. Alfred Newman’s score has a reasonable amount of fidelity, and the track overall is free from any hiss or other age-related problems. The stereo track does offer a lovely spread for Alfred Newman's score but otherwise doesn't offer much of a difference with the lossless mono mix.
Special Features: 3/5Audio Commentary: Christopher Mankiewicz (son of the writer-director) and authors Kenneth Geist and Cheryl Lower have all been recorded separately with their comments edited together quite deftly to form an interesting and informative commentary track.
Biography: “Linda Darnell – Hollywood’s Fallen Angel” (44:03, HD): another in A&E’s Biography series narrated by Peter Graves and this time focusing on the relatively brief and mostly sad life of Linda Darnell.
Movietone Newsreel (1:15, HD): brief clips of the 1949 Oscar ceremony featuring Joseph Mankiewicz’s win for best screenwriting (he also won Best Director at the same event).
Theatrical Trailer (2:43, HD)