Wonder Dogs! Canine Stars of the Silent Era (Kino Lorber) – Blu-ray Review

4.5 Stars Kino Classics and Library of Congress present a treasure trove of dog-themed silent films.
Wonder Dogs! Canine Stars of the Silent Era blu ray review

Kino Lorber, in collaboration with Library of Congress, present Wonder Dogs! Canine Stars of the Silent Era, an eight-hour compilation of dog-themed silent cinema ranging from 1898 to 1928, from new digital preservations and with newly recorded musical scores.

Disc Information
Studio: Other
Distributed By: Kino Lorber
Video Resolution: 1080P/AVC
Aspect Ratio: 1.33:1
Audio: Other
Subtitles: Other
Rating: Not Rated
Run Time: 7 Hr. 57 Min.
Package Includes: Blu-ray
Case Type: Elite
Disc Type: BD50 (dual layer)
Region: ABC
Release Date: 05/20/2025
MSRP: $39.95

The Production: 4/5

Kino Lorber has been releasing these fantastic silent-era collections ranging from large multi-disc sets like Pioneers: Early Women Filmmakers and Pioneers of Early African-American Cinema, as well as smaller collections: Vitagraph Shorts and Cinema’s First Nasty Women. This time, culled from the vast archives of Library of Congress, are nearly forty films ranging from almost feature-length (such as Teeth and His Master’s Voice) to brief mutoscopes. I found the “actualities” to be the most interesting, such as a newsreel capturing a doggie birthday party or just puppies being cute. If you’re a dog-lover and into silent films, this is a real joy to go through.

DISC ONE:

Teeth (1924, dir. J.G. Blystone – Fox Film Corporation) [50:56]
Starring Tom Mix
Music composed by Andrew Earle Simpson, adapted from the original 1924 cue sheet

Dogs ‘N’ Kids [combined 6:06]
“Me and Jack” (1898, American Mutoscope & Biograph Co.)
“Rex’s Bath” (1902, American Mutoscope & Biograph Co.)
“Babe and Puppies” (1904, Thomas A. Edison)
“The Baby and the Puppies” (1904, Thomas A. Edison)
“Two Bottle Babies” (1904, American Mutoscope & Biograph Co.)
Music composed and performed by Jimena Caballero

Buster’s Bust-Up (1925, dir. Gus Meins) [18:04]
Music composed and performed by Gonca Feride Varol

Dogs and Lovers [combined 2:19]
“Love Me, Love My Dog” (1903, American Mutoscope & Biograph Co.)
“Gage D’Amour” (1904, Gaumont)
Music composed and performed by Connor McKay

A Bear, a Boy, and a Dog (1921, dir. Bert Van Tuyle) [28:12]
Music composed and performed by Carol Gao

Dog Factory (1904, Thomas A. Edison)
Music composed and performed by Anthony Laurie

Lost Dogs [combined 8:35]
“A Dog Lost, Strayed, or Stolen. $25.00 Reward Apply to Mrs. Brown, 711 Park Ave.” (1905, S. Lubin)
“Lost a Pretty Little Dog” (1908, Pathe Freres)
Music composed and performed by Mohamed Araki

Screen Snapshots: Ilak’s Birthday (1925) [1:31]
Music composed and performed by Daniel Painter

from The Screen Almanac (1924, Selznick) [1:10]
Music composed and performed by Dana Reason

The Sky Rider (1927, dir. Alvin J Neitz) [45:41]
featuring Champion, America’s Foremost Police Dog
Music composed and performed by Chris Rorrer

The Nobleman’s Dog (1909, Pathe Freres) [8:46]
Music composed, performed and mixed by Joshua Phillips

Fidelity (1911, Pathe Freres) [7:44]
Music composed and performed by Esin Aydingoz

The Law’s Lash (1928, dir. Noel Mason Smith) [49:58]
featuring Klondike
Music composed and performed by Jaasmaan Singh

DISC TWO:

His Master’s Voice (1925, dir. Reynaud Hoffman) [52:07]
Music composed and performed by Carolyn Koch

Vaudeville Dogs [combined 4:55]
“Spike, the Bag-Punching Dog” (1887, American Mutoscope & Biograph Co.)
“Stealing a Dinner” (1899, American Mutoscope & Biograph Co.)
“Laura Comstock’s Bag-Punching Dog (1901, Thomas A. Edison)
“Leaping Dogs at Gentry’s Circus) (1901, Thomas A. Edison)
Music composed by Adam Banks and Griffin Barbieri

The Watchdog (1923, dir. Len Powers) [10:13)
“Dippy-Doo-Dad” Comedies
Music composed and performed by Jeff Schwartz

Dogs, Dogs, Dogs! [combined 2:05]
“Dogs Playing in the Surf” (1898, Thomas A. Edison)
“Frank J. Gould’s Dogs” (1899, American Mutoscope & Biograph Co.)
“A Yard of Puppies” (1903, American Mutoscope & Biograph Co.)
Music composed and performed by Nika Ko

Dog Shy (1926, dir. Leo McCarey) [20:15]
Hal Roach/Charley Chase
Music composed and performed by Carol Gao

Jean the Match-Maker (1910, Vitagraph Co.) [10:43]
Music composed and performed by Ali Tolga Demirtas

A Tin-Type Romance (1910, Vitagraph Co.) [9:39]
Music composed and performed by Anabel Gil Diaz

Jean and the Waif (1910, Vitagraph Co.) [12:00]
Music composed and performed by Lorena Ruiz Trejo and Maria Fernanda Garcia Solar

Jean Rescues (1910, Vitagraph Co.) [11:13]
Music composed and performed by Allison Beth Fitzgerald

The Silent Trailer (1926, dir. Francis Ford) [22:49]
starring Fearless, the Noted Police Dog Star
Music composed and performed by Mathilde Koechlin

A Modern Prodigal (1913, Vitagraph Co.) [22:17]
Music composed and performed by Andrew Earle Simpson

A Little Hero (1913, Keystone Film Co.) [4:24]
Music composed and performed by Dana Reason

Fatty’s Faithful Fido (1915, Keystone Film Co.) [14:57]
Music composed and performed by Shane Prendiville

The Sign of the Claw (1926, dir. B. Reaves Eason) [50:07]
starring Peter the Great
Music by Peter Valsamis

Video: 4/5

3D Rating: NA

Kino Lorber and Library of Congress have had a long-fruitful partnership with home video, with Wonder Dogs! being no exception. The featured films cover a span of 30 years, going back to the end of the 19th century, up until the end of the silent era. While no extensive digital cleanup has been performed on these films, there has been stabilization applied very effectively. Most films also feature tints and tones, usually from the original prints that were scanned for LoC’s preservation work. One particular film, Buster’s Bust-Up, is assembled from an incomplete nitrate print and what appears to be a heavily compressed standard definition source transferred from 8mm. While the quality is very poor outside the nitrate sections, it provides a glimpse on how important preservation is.

All films are presented approximately at 1.33:1 across two BD-50s with a healthy bitrate in the mid-20s, without any serious compression artifacts outside the film mentioned above. Overall, one should look at the image quality with empathy, especially since many of these films are from the sole surviving film elements.

Audio: 5/5

All films featured on this Wonder Dogs! compilation are presented with newly recorded musical scores, encoded in DTS-HD MA 2.0 stereo. With the exception of one short film with a deliberately low fidelity mix (I assume to complement the poor quality source material), the sound quality is excellent. While no optional subtitles, all films are presented with English intertitles.

Special Features: 4.5/5

Despite the almost eight-hour runtime of Wonder Dogs, film historian Anthony Slide has provided audio commentary on every single film! He has recorded many tracks for Kino Lorber’s silent film releases and he’s always an engaging speaker. He doesn’t shy away from bringing up apparent animal abuse, while also going into the background on the many canine stars. I get the feeling that Slide is equally enthusiastic about silent film and dogs, so these are worth listening to with his commentaries.

Also featured on the first disc are two interviews:

Interview with curators Lynanne Schweighofer and George Willeman [20:37]
Interview with composer Andrew Earle Simpson [11:53]

Only slight objection I have is that a small booklet would have been nice to have with information on all the films, which can be quite useful for these multi-disc collections.

Overall: 4.5/5

Yet another fascinating treasury of rare silent films. Containing a whole day’s worth of films, commentaries on all, plus interviews.

Current Home Theater setup (as of 01/2019):

Monitor:
Samsung 60" LED 4K UHD (UN60J7090)

Players:
Primary - Sony UBP-X700 UltraHD Player
Secondary - Sony BDP-S5500 Blu-ray 3D Player (all region modded)

Sound:
VIZIO 5.1 Soundbar SB-3851C0

Other Players:
PS3
Apple TV (4th generation)

3-D Glasses:
Samsung Active Shutter (4x)

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Patrick McCart

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Messages
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Patrick McCart
Here's a bunch of screenshots from the films, for those who want some silent-era dog goodness and also to show the varied image quality.
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Mike Frezon

Moderator
Premium
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Messages
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Location
Rexford, NY
Hey Patrick! Thanks for the review...AND all those images from the release.

Pete and Sophie are really looking forward to their viewing party when this disc arrives at our house tomorrow! :D

We don't suppose you saw any Golden Retrievers in any of the films when you were giving it a look for your review.......?!? :laugh:

full
 

Bert Greene

Screenwriter
Joined
Apr 1, 2004
Messages
1,125
I was especially thrilled at being able to see one of Fox's super-rare Tom Mix films, "Teeth" (1924). It delivered nicely, even if Mix had to share the action with his canine partner. Also fun to see a pre-stardom George Bancroft in the role of the villain. The other feature I'd never seen before, "The Sign of the Claw" (1926-Gotham), starring the dog star Peter the Great, also turned out to be a pretty good low-budget B-action yarn. A lot of zip to it, despite having perpetual low-t Edward Hearn as the nominal 'human' lead.

The other features I'd seen before, but the prints look so much better here. Especially "The Law's Lash" (1928-Pathe), which really allows you to enjoy the scenic backdrop. Which is good, because the film itself is pretty pokey and cliched, and not really all that good. But I did get a kick out of the early villainy from shifty-eyed LeRoy Mason, soon to be such a fixture in b-westerns. "His Master's Voice" (1926-Gotham) has a lot more merit, with particularly good acting for a poverty-row item, as well as some really nice atmosphere. Having the dog star, Thunder, 'narrate' the story is a real cute touch, and Thunder is really good in it. I'm still not crazy about the whole 'coward finds his courage' narrative, which I tend to find more frustrating than entertaining. As for "The Sky Rider" (1927-Chesterfield), I used to expect something in the vein of Universal's Al Wilson aviation films, but it's not. In fact, the film is totally idiotic hokum. The scene of Champion the dog in the biplane, high up in the sky, suddenly doing some 'wing walking' and then jumping onto the wing of the villain's plane and then attacking him, is too ridiculous for words. Like something you'd expect to read in a 'G-8 and his Battle Aces' pulp mag. The whole film is a bit dingbat.

As for the short films, I really liked those with Jean, the Vitagraph dog (circa 1910). Antique stuff, for sure, but great fun. Also gave a nice spotlight to Florence Turner, and I can see why she gained popularity, becoming one of the very first movie stars (if not the very first, depending on how one defines stardom). I'd never seen a Buster Brown comedy, and this one here, "Buster's Bust-Up" (1925), and its brand of humor, wasn't particularly my cup of tea. But anything is better than that Dippy-Doo-Dad one-reeler here, "The Watchdog" (1925-Roach). Yipe! That one was truly painful. Thank goodness we got a very, very funny Charley Chase short, "Dog Shy" (1926-Roach) to cleanse the palate. That was a nice little gem. All in all, an enjoyable collection. Hope Kino Classics can come up with some more interestingly-themed sets like this.
 
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