Am enjoying Baenwart's recent thread "Movies You Want on HD Disc But Don't Ever Expect to See". It got me thinking that there have been a number of titles I just never figured would materialize on Blu-ray. Cherished but little discussed favorites or movies I'd been itching to see for years. What with the constant rumbles of home video's decline and the comparatively low profile of these particular movies, I was pretty much resigned to never owning them on Blu.
Then - to my delight - some company - usually an enterprising boutique label - defies the odds and suddenly pulls one of these elusive gems out of a hat.
At the top of my list would be
THE ADVENTURES OF HAJJI BABA(1954)
John Derek sword and sand adventure which arrived on Blu - quite miraculously I thought - just before the bottom fell out at Twilight Time.
CAN'T HELP SINGING(1944)
Deanna Durbin's best film and her only one in color. A big budget western musical with an original score by Jerome Kern. Kino, disappointed with sales on their initial 3 movie Durbin set , had jettisoned plans for releasing more of her films. Imagine my surprise when Universal Home Video put the thing out on their own. Not exactly sure how that happened but I'm so glad to finally have it.
JIVARO(1954)
Saturday matinee jungle adventure (with Fernando Lamas and Rhonda Fleming), a movie I've always loved. It was shot in 3D but shown flat in theaters. Kudos to Bob Furmanek's 3D Archive for restoring it and to Kino for not just releasing it on Blu - but including the 3D version. Wow! Double wow!
Others I'd add:
HOT SATURDAY(1932) Nancy Carroll, Cary Grant, Randolph Scott (Kino)
DANCING PIRATE(1936) Charles Collins, Frank Morgan (Film Detective)
AMONG THE LIVING(1941) Albert Dekker, Susan Hayward (Kino)
SUDAN(1945) Maria Montez,Turhan Bey,Jon Hall (announced by Kino as part of their upcoming Montez/Hall set)
FLIGHT TO MARS(1951) Cameron Mitchell (Monogram, Cinecolor and Outer Space, what's not to love?) (Film Detective)
POOL OF LONDON(1951) Britnoir at its best (Kino)
GONE TO EARTH(1950) Jennifer Jones, David Farrar
Thank you, Kino for giving us the original British version as a magnificent bonus feature with their release of the unfortunately re-edited American cut. Powell & Pressburger's film, as initially presented, stands as a worthy follow-up to their earlier Technicolor classics ,"Black Narcissus" and "The Red Shoes"
Then - to my delight - some company - usually an enterprising boutique label - defies the odds and suddenly pulls one of these elusive gems out of a hat.
At the top of my list would be
THE ADVENTURES OF HAJJI BABA(1954)
John Derek sword and sand adventure which arrived on Blu - quite miraculously I thought - just before the bottom fell out at Twilight Time.
CAN'T HELP SINGING(1944)
Deanna Durbin's best film and her only one in color. A big budget western musical with an original score by Jerome Kern. Kino, disappointed with sales on their initial 3 movie Durbin set , had jettisoned plans for releasing more of her films. Imagine my surprise when Universal Home Video put the thing out on their own. Not exactly sure how that happened but I'm so glad to finally have it.
JIVARO(1954)
Saturday matinee jungle adventure (with Fernando Lamas and Rhonda Fleming), a movie I've always loved. It was shot in 3D but shown flat in theaters. Kudos to Bob Furmanek's 3D Archive for restoring it and to Kino for not just releasing it on Blu - but including the 3D version. Wow! Double wow!
Others I'd add:
HOT SATURDAY(1932) Nancy Carroll, Cary Grant, Randolph Scott (Kino)
DANCING PIRATE(1936) Charles Collins, Frank Morgan (Film Detective)
AMONG THE LIVING(1941) Albert Dekker, Susan Hayward (Kino)
SUDAN(1945) Maria Montez,Turhan Bey,Jon Hall (announced by Kino as part of their upcoming Montez/Hall set)
FLIGHT TO MARS(1951) Cameron Mitchell (Monogram, Cinecolor and Outer Space, what's not to love?) (Film Detective)
POOL OF LONDON(1951) Britnoir at its best (Kino)
GONE TO EARTH(1950) Jennifer Jones, David Farrar
Thank you, Kino for giving us the original British version as a magnificent bonus feature with their release of the unfortunately re-edited American cut. Powell & Pressburger's film, as initially presented, stands as a worthy follow-up to their earlier Technicolor classics ,"Black Narcissus" and "The Red Shoes"