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Blu-ray Review Atlas Shrugged III: Who Is John Galt? Blu-ray Review (1 Viewer)

Matt Hough

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Atlas Shrugged III: Who Is John Galt? Blu-ray Review

The three-part cinematic saga of Ayn Rand’s Atlas Shrugged comes to a tepid and uneventful end with J. James Manera’s third installment subtitled Who Is John Galt? With another changeover in cast and director, the film doesn’t much resemble either of the previous pieces of this preachy polemic in look or tone, and the film so desperately wants to be eye-opening and revolutionary that its pitiful, underwhelming script and performances seem to be flailing at imagined shadows of governmental conspiracy and mass disingenuousness amid one of the most unconvincing love stories in a generation.



Studio: Fox

Distributed By: N/A

Video Resolution and Encode: 1080P/AVC

Aspect Ratio: 1.78:1

Audio: English 5.1 DTS-HDMA

Subtitles: English SDH, Spanish, French

Rating: PG-13

Run Time: 1 Hr. 39 Min.

Package Includes: Blu-ray, UltraViolet

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Disc Type: BD50 (dual layer)

Region: A

Release Date: 01/06/2015

MSRP: $29.99




The Production Rating: 2/5

As the near-future economic conditions of the People’s State of America deteriorate into an almost untenable state, the plane carrying CEO of Taggart Transcontinental Railway Dagny Taggart (Laura Regan) goes down in a place called Mulligan’s Valley where big business leaders, intellectuals, and inventors have abandoned the corrupt old system and formed their own Utopia there, all under the guiding hand of inventor John Galt (Kristoffer Polaha) who has created a motor that can supply an endless and free power source for the valley. Dagny is invited to remain if she agrees to cast off all her former ideas of corporate economic success supporting a government with its own soul-crushing agenda, but after working so many years to build up her company, she just can’t let it crumble at her incompetent brother’s (Greg Germann) hand without a fight. Galt agrees to also return to the capitalist world to see about her progress and keep a watchful eye out for Dagny, but she finds that the governmental big shots led by Head of State Thompson (Peter Mackenzie) with his own set of flunkies (Louis Herthum, Tony Denison, among others) have nothing but devastation in store for most of the country as they gather all the wealth and power for themselves.

Because the film’s budget was only $5 million (some of which was raised with a Kickstarter campaign since the previous two installments of the saga didn’t bring in much money), wholesale scenes which couldn’t be shot are summarized by an off-screen narrator who bridges gaps in continuity and keeps the viewer apprised of what each side is doing through the film’s entire running time. The script by director Manera, Harmony Kaslow, and producer John Aglialoro is full of endless pronouncements of Ayn Rand’s philosophies sometimes put in the mouth of John Galt (who in a scene meant to be important but which only seems ludicrously melodramatic, interrupts all television broadcasts with his impassioned speech about the lemming citizenry needing to wake up to the corruption all around them) and sometimes spoken by his disciples (played by Joaquim de Almeida, Eric Allan Kramer, and Dominic Daniel, among others) in the valley. But who would have guessed that all this political posturing and moralistic espousing was merely a prelude to a chemistry-free sex scene between John and Dagny (right at the moment of a railroad crisis, one must add: the very reason she allegedly came back to the world from the Shangri-la of Mulligan’s Valley) and later a ludicrously suspense-free rescue operation after John has fallen into the hands of his enemies intent on torturing him. Director Manera doesn’t seem able to inject much interest or enthusiasm in either the romance or the action of the moment in a movie so heavy with its hews and cries of economic individualism.

Of the three casts of actors who have played the major roles in the story over this trilogy of films, Part III has the blandest set of leads. Laura Regan’s Dagny tries to fire herself up with ambition and determination, but it often comes across as merely petulance. Kristoffer Polaha’s John Galt is played as a literal Messiah, his quiet nobility and humorless sincerity of purpose not ill-fitting in another remake of Jesus’ life story. Greg Germann’s spineless brother James Taggart isn’t quite as cocky as his predecessors and definitely more wimpy. Peter Mackenzie’s Head of State Thompson is a singularly power mad and nasty piece of goods supported by stereotypically evil flunkies played without an iota of nuance by Tony Denison and Louis Herthum. Conversely, Galt’s supporters likewise convey stereotypes, this time the placid, peace-loving intellectuals played by Eric Allan Kramer, Dominic Daniel, and Joaquim de Almeida, among others. Conservative commentators Ron Paul, Glenn Beck, and Sean Hannity also check in to support Galt’s theories.



Video Rating: 4.5/5  3D Rating: NA

Shot digitally and framed for home video in 1.78:1, this 1080p transfer (AVC codec), like its predecessors, looks very nice and smooth. Sharpness is never less than good and often superb with color values striking and flesh tones completely realistic. Contrast has been consistently applied, and black levels are very impressive in certain nighttime shots and flyovers. The film has been divided into 28 chapters.



Audio Rating: 4/5

The DTS-HD Master Audio 5.1 sound mix doesn’t use the surround channels for much extension of the soundstage apart from Ella Cmiral’s music which gets a nice spread through the fronts and rears. The dialogue has been well recorded and has been placed in the center channel, but the film’s lack of budget is readily apparent when crowd scenes with the masses shouting Galt’s name and which should echo thunderously in the surrounds simply comes across as rather puny and feeble.



Special Features Rating: 2/5

On the Set of Atlas Shrugged (HD): a series of brief vignettes featuring soundbites from various cast members and crew about their roles and about the filming:
  • With Kristoffer Polaha (2:47)
  • With Eric Allan Kramer (1:21)
  • With Dominic Daniel (1:37)
  • With Producer Joan Carter (1:30)
  • With Special Effects Coordinator Tommy Frazier (2:17)
  • At the State Science Institute (1:45) actors Tony Denison and Neil Dickson speak.

Ultraviolet: code sheet enclosed

Promo Trailers (HD): The Bridge, Tyrant.



Overall Rating: 2/5

Part III of Atlas Shrugged limped into a few hundred theaters near the end of 2014 to little response. The Blu-ray presents this final installment with the same excellent picture and above average sound as its predecessors, but one regrets that some driven, mercurial director wasn’t able to reimagine Rand’s controversial book for the 21st century and make a film trilogy worthy of the serious ideas contained within it.


Reviewed By: Matt Hough


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Ejanss

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Just got through Pt. II on Netflix, and while 1 took itself with a glossy TV-series seriousness, once the "social revolution" Rand themes kick in, II started to turn silly, like the big-budget version of a Glenn Beck novel.

Particularly in that it kept trying to draw modern parallels and invoke Occupy Wall Street imagery, but...correct me if I'm wrong, but wasn't OWS about the fact that we didn't trust big businessmen to be hardworking put-upon American entrepreneurs, and we DID want government regulation over them? ;)
 

Lord Dalek

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Joel Henderson
I've said it before and I'll say it again... If I wanted a realistic adaptation of Atlas Shrugged, I'd just play Bioshock for 20 hours straight.
 

Colin Jacobson

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A 2/5 rating for this movie is waaaaaay too generous. Crud, a 1/5 is generous!


This must be the most bizarre "trilogy" ever made. All different actors, all different directors, almost all different writers.


And yet, all of them suck equally! :D
 

Anthony_H

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In addition to the Occupy Wall Street exception... I find it curious they had to use a method of socialized funding to get this done. I bet she is a'spinnin
 

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