The Umbrellas of Cherbourg – Criterion UHD Blu-ray Review

4.5 Stars Unorthodox musical masterpiece debuts on UHD Blu-ray
The Umbrellas of Cherbourg UHD 4k blu ray review

Today, The Umbrellas of Cherbourg. One of the key figures of the French New Wave, Jacques Demy made his entrance into feature filmmaking with Lola in 1961 after directing a handful of short features during the 1950’s. His singular style drew upon various influences, like Hollywood musicals, Japanese manga, jazz, opera, fairy tales, and even his own colleagues’ plein-air realism. Following his sophomore feature film effort Bay of Angels (1963), Demy made his presence known on the international stage with The Umbrellas of Cherbourg. Previously released on Blu-ray by Criterion, the label has given the movie its UHD Blu-ray debut.

The Umbrellas of Cherbourg (1964)
Released: 16 Dec 1964
Rated: UNRATED
Runtime: 91 min
Director: Jacques Demy
Genre: Drama, Musical, Romance
Cast: Catherine Deneuve, Nino Castelnuovo, Anne Vernon, Marc Michel
Writer(s): Jacques Demy (scenario and dialogue)
Plot: A young girl separated from her lover by war faces a life-altering decision.
IMDB rating: 7.8
MetaScore: 86

Disc Information
Studio: Other
Distributed By: Criterion Collection
Video Resolution: 2160p HEVC
Aspect Ratio: 1.85:1
Audio: French 1.0 PCM (Mono), French 5.0 DTS-HDMA
Subtitles: English SDH
Rating: Not Rated
Run Time: 1 Hr. 32 Min.
Package Includes: UHD, Blu-ray
Case Type: Clear keep case
Disc Type: UHD
Region: A
Release Date: 05/06/2025
MSRP: $49.99

The Production: 5/5

Set over the course of six years in the port city of Cherbourg from 1957 to 1963, the love story of young auto mechanic Guy Foucher (Nino Castelnuovo) and Geneviève Émery (Catherine Deneuve) begins earnestly and passionately, despite the disapproval of Geneviève’s mother (Anne Vernon) and the silent yearning of Madeleine (Ellen Farner) – the young woman looking after Guy’s aunt Élise – for Guy. When Guy is drafted to serve in the Algerian War, he and Geneviève are separated, but not before the two engage in sex before he departs, resulting in Geneviève becoming pregnant with Guy’s child. However, young love can be fleeting, and the realities of life intrude on the young lovers, resulting in both finding different partners.

One of the most revered musicals of all time, The Umbrellas of Cherbourg takes a very unorthodox approach to telling its story compared to other musicals of the time. Jacques Demy, the director and screenwriter of the film, felt frustrated how most musicals followed this pattern: a story that would be interrupted by a combination of musical numbers involving singing and/or dancing; here, Demy makes a radical departure from that formula by having every line of dialogue sung to make the approach appear seamless in storytelling. Amazingly, it works, and that’s in no small part to Michel Legrand’s sublimely lilting music as well as eye-popping color cinematography by Jean Rabier to create a stylized Cherbourg that could’ve existed in the best of MGM musicals (this movie came only a handful of years after the last of the “Dream Factory” musicals from MGM’s Golden Age was released). And most importantly, the bittersweet love story is anchored by solid performances from the cast – even though none of them do their own singing – especially from Nino Castelnuovo and Catherine Deneuve at the heart of the story (with Anne Vernon, Marc Michel reprising his role from Demy’s Lola (1961), Ellen Farner, Mirielle Perrey and Harald Wolff giving memorable support); the latter was especially the major recipient of praise from the critics and the film would help launch her to stardom internationally. Through its unique approach to well-worn tropes of the musical genre, The Umbrellas of Cherbourg succeeds in creating a singular musical experience that still touches and captivates audiences more than 60 years later; its influence is still felt today, as it has been referenced by Damien Chazelle (La La Land) and Greta Gerwig (Barbie) as major influences on their respective works.

Video: 5/5

3D Rating: NA

For this UHD Blu-ray combo release, the film is presented in its original 1:85:1 aspect ratio, taken from a 2024 4K digital restoration done by Ciné-Tamaris – with the support of the CNC, Chanel and SACEM – from the original 35mm camera negative; on the UHD Blu-ray – which has the new restoration – the film is presented in native HDR while the accompanying Blu-ray – which features the previous 2013 restoration used for the 2017 standalone Blu-ray release and the 2013 The Essential Jacques Demy dual-format boxset – presents the film in SDR. Film grain, color palette and fine details are all presented and represented vividly and faithfully – skin tones appear more natural on the newer transfer compared to the previous HD transfer – with minimal instances of scratches, tears and dirt present on the transfer; it also appears that the yellowish tint that was present on the previous HD transfer used for the Criterion Blu-ray is gone here (although the Blu-ray disc included in this release uses said HD transfer). While it’s a bit puzzling why the newer transfer wasn’t used for the Blu-ray disc accompanying this release, this UHD Blu-ray combo is still likely the best the film will ever look on home video.

Audio: 5/5

There are two audio options on this UHD Blu-ray combo release: a 5.0 surround DTS-HD Master Audio track created from a three-track mix made in 1963 for the film’s soundtrack album release – rather than the actual film’s soundtrack – and the original monaural soundtrack on a PCM audio track on the UHD Blu-ray disc; the Blu-ray disc utilizes the 5.0 track. The sung dialogue, sound mix and Michel Legrand’s beautiful Oscar-nominated score are all presented clearly and faithfully with minimal cases of distortion present like crackling, popping and hissing present on both tracks. This UHD Blu-ray combo release gets the edge over the previous Criterion Blu-ray edition for having the original monaural soundtrack as a bonus option – in addition to the already solid 5.0 surround track – and is now likely the best the film will ever sound on home video.

Special Features: 4/5

Once Upon a Time… “The Umbrellas of Cherbourg”(54:24) – This 2008 documentary reflects on the making of and subsequent impact of the film following release; featuring new and archival interviews with Jacques Demy, Catherine Deneuve, Marc Michel, Michel Legrand and Agnès Varda.

2014 interview with film scholar Rodney Hill (22:43) – Hill explains why the film embraces troupes of both French New Wave and the mainstream French cinema of the time – called “cinema of quality” – in this archival interview carried over from previous Criterion Blu-ray editions.

Excerpt from a 1964 episode of Cinépanorama featuring interviews with director/writer Jacques Demy and composer Michel Legrand (11:15)

Audio Interview from 1991 with Legrand at the National Film Theatre in London (26:46) – Legrand talks about composing music for Demy in this archival interview.

Audio Interview with actress Catherine Deneuve from 1983 at the National Film Theatre in London (11:03) – Deneuve shares what it was like to work with Jacques Demy on not only Umbrellas, but also other Demy projects like The Young Girls of Rochefort and Donkey Skin.

2013 restoration demonstration (6:11)

2013 Re-release trailer (1:56)

Foldout feat. an essay by critic Jim Ridley

Overall: 4.5/5

A hit with both critics and audiences on both sides of the Atlantic, The Umbrellas of Cherbourg has maintained a timeless appeal through its unorthodox yet effective style of storytelling as well as the luminous presence of Catherine Deneuve. Criterion has likely delivered the definitive home video edition here with a stellar HDR transfer of the film on the UHD Blu-ray disc – even though the previous digital restoration of the film is carried over on the accompanying Blu-ray disc – the film’s original monaural soundtrack as an alternate audio option and carrying over the previous special features from past Criterion releases. Very highly recommended.

Mychal has been on the Home Theater Forum’s reviewing staff since 2018, with reviews numbering close to 300. During this time, he has also been working as an assistant manager at The Cotton Patch – his family’s fabric and quilting supplies business in Keizer, Oregon. When not working at reviewing movies or working at the family business, he enjoys exploring the Oregon Coast, playing video games and watching baseball in addition to his expansive collection of movies on DVD, Blu-ray and UHD, totalling over 3,000 movies.

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Jeff Fearnside

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Thanks for the excellent comprehensive review, Mychal! Odd that they included the old Blu-ray with this set. Perhaps they're positioning themselves to release a standalone Blu-ray featuring the new restoration in the future?
 

Indy Guy

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I didn't find the new 4K to be an obvious improvement over the previous Criterian BR release included in the Demy boxed set.
 

mskaye

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Nice review. This film is just so magical. The 4k looks and sounds astonishing. I may have to get an original poster from it because the creativity displayed in this film is so life affirming that I want to be reminded of it all day.
 

bulmabriefs144

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That film is a classic. I think the only three films that I have found more moving are one of the versions of the Mahabharata (I spent hours watching, but didn't get a good grade because the teacher was a snob, and thought that I should have read the book versus sit for four or six hours), Painted Veil (2006), and Not One Less (1999). Not One Less in particular starts off painfully slow, and nowadays I don't stay awake well. But it sets up all these tiny details which build up to a big (if slightly cheesy) finish. They talk about her reusing the nubs of chalk, so I tear up at the end over stupid chalk... This is how Umbrellas of Cherbourg makes me feel with its meeting scene at the end. All that buildup, for a pretty nice finish.
 

mskaye

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That film is a classic. I think the only three films that I have found more moving are one of the versions of the Mahabharata (I spent hours watching, but didn't get a good grade because the teacher was a snob, and thought that I should have read the book versus sit for four or six hours), Painted Veil (2006), and Not One Less (1999). Not One Less in particular starts off painfully slow, and nowadays I don't stay awake well. But it sets up all these tiny details which build up to a big (if slightly cheesy) finish. They talk about her reusing the nubs of chalk, so I tear up at the end over stupid chalk... This is how Umbrellas of Cherbourg makes me feel with its meeting scene at the end. All that buildup, for a pretty nice finish.
I will check out the other "moving" pictures (ha) you mentioned. Yeah, this film gets me right in the heart. The only other musical that does this for me is West Side Story. I think it's the unrequited love thing. Umbrellas is perfect and of course like any great work of art, there are lots of layers to it. It's also from the French New Wave and with that are the meta cinema and the sociological/political aspects to it, which are important to me.
 

Garysb

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Thanks for the great review. Looks like I will be picking this up at the next B&N Criterion Sale.
 

Indy Guy

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I didn't find the new 4K to be an obvious improvement over the previous Criterian BR release included in the Demy boxed set.
The "just in" blu-ray.com 4K review of Umbrellas goes into details regarding what I observed above. The reviewer concludes that the older BR transfer included with the new 4K is a superior viewing experience.
While I didn't do a comparison of the 2 discs directly as this reviewer has done, this was my feeling as well.
 

Jeff Fearnside

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The "just in" blu-ray.com 4K review of Umbrellas goes into details regarding what I observed above. The reviewer concludes that the older BR transfer included with the new 4K is a superior viewing experience.
While I didn't do a comparison of the 2 discs directly as this reviewer has done, this was my feeling as well.
Interesting. That reviewer is known for being picky about colors in particular, and is sometimes pooh-poohed for it, but since I'm sensitive to color as well, I generally find him to be reliable. I know the review covers other areas as well. That you saw the same thing, Indy Guy, seems to back up the view. So it sounds like the new 4K restoration is lovely, just perhaps not necessarily better than the earlier 2K restoration.
 

Douglas R

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Disappointing to read these negative reviews. I was hoping for a good 4K upgrade to the Blu-ray. I recall the remarkably vibrant colors on seeing the film when it was first released but cannot say how accurate the Blu-ray is.
 

mskaye

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The "just in" blu-ray.com 4K review of Umbrellas goes into details regarding what I observed above. The reviewer concludes that the older BR transfer included with the new 4K is a superior viewing experience.
While I didn't do a comparison of the 2 discs directly as this reviewer has done, this was my feeling as well.

Interesting. That reviewer is known for being picky about colors in particular, and is sometimes pooh-poohed for it, but since I'm sensitive to color as well, I generally find him to be reliable. I know the review covers other areas as well. That you saw the same thing, Indy Guy, seems to back up the view. So it sounds like the new 4K restoration is lovely, just perhaps not necessarily better than the earlier 2K restoration.
I disagree with the br.com reviewers opinion. Apart from some nitpicking about the density of color in the titles I feel the 4k is a more vibrant and detailed (and not overly so.) 10.5 minutes in is a shot where CD is running to NC and she is a bit of a grainy mess in the blu ray. However, the blu ray is also pleasing - a dot softer, more grain and more pastel-like. You get to choose your preference. I'll give it a closer listen later to see if I prefer the stereo or the mono mix. If you have your blu ray and are content, you have your answer but it’s worth it in my opinion.
 

mskaye

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Disappointing to read these negative reviews. I was hoping for a good 4K upgrade to the Blu-ray. I recall the remarkably vibrant colors on seeing the film when it was first released but cannot say how accurate the Blu-ray is.
If you want more vibrancy, the 4k is the more vibrant of the two transfers. The blu ray is a 2k from an interpositive and this is a 4k from the original negative. I have no regrets. That is just one reviewer's opinion. They are both very film-like and beautiful.
 

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Are the colors identical in general, in the blu-ray and 4k? (besides the vibrancy)
 

titch

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The "just in" blu-ray.com 4K review of Umbrellas goes into details regarding what I observed above. The reviewer concludes that the older BR transfer included with the new 4K is a superior viewing experience.
While I didn't do a comparison of the 2 discs directly as this reviewer has done, this was my feeling as well.
Of course, every single person has their own systems, set-ups and calibrations. Projected, I saw a substantial difference between the new 4K UHD and old blu-ray. And all four guests, who watched it with me at the weekend, noticed exactly the same, when we tested a few scenes after the 4K UHD was over. The skin tones are much more accurate on the 4K UHD and there is much less noisy grain. It looks far more filmic, on a large screen.

The blu-ray com reviewer in question is a notorious buffoon. He is the one who keeps saying over and over again that all the colour gradings are wrong, because they aren't what he remembered they looked from the cinema 30 years ago, or match his 20 year old DVD. Said the same about The Grifters, which Robert Harris, one of the producers, vouched for.
 

mskaye

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Of course, every single person has their own systems, set-ups and calibrations. Projected, I saw a substantial difference between the new 4K UHD and old blu-ray. And all four guests, who watched it with me at the weekend, noticed exactly the same, when we tested a few scenes after the 4K UHD was over. The skin tones are much more accurate on the 4K UHD and there is much less noisy grain. It looks far more filmic, on a large screen.

The blu-ray com reviewer in question is a notorious buffoon. He is the one who keeps saying over and over again that all the colour gradings are wrong, because they aren't what he remembered they looked from the cinema 30 years ago, or match his 20 year old DVD. Said the same about The Grifters, which Robert Harris, one of the producers, vouched for.
Thank you for saying that. I mean this film was given a great review by Mychal, a wonderful and sane HTF reviewer. Why are people not believing what he wrote over the br.com guy's opinion? Sorry for not stating that earlier.
 

Indy Guy

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It's all a range of opinions and hardware capabilities on which the film is viewed.
I think Criterion tends to be conservative and both their BR & 4K have plusses and minuses.
If you have their BR, you will not experience a revelation in upgrading to 4K.
Nothing is decidedly wrong with either version, but I side with Bluray.com's review...slightly disappointed. It was a calculated reinvestment in this hauntingly beautiful film. The included printed essay is a plus, but the BR Box set includes a more detailed Demy booklet.
 
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Jeff Fearnside

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The blu-ray com reviewer in question is a notorious buffoon. He is the one who keeps saying over and over again that all the colour gradings are wrong, because they aren't what he remembered they looked from the cinema 30 years ago, or match his 20 year old DVD. Said the same about The Grifters, which Robert Harris, one of the producers, vouched for.
To be fair to that reviewer, he doesn't say ALL color grades are wrong. He does harp a lot on the L'immagine Ritrovata color grading, and frankly I'm in total agreement with him on that. I have no idea why companies keep sending films to that lab for "restoration" (i.e., "complete color revision").

That said, we all have have different systems/set-ups, preferences/tastes, and memories of what certain films looked like, and we're naturally all going to have different opinions on things. I actually find it fun, rooting through various reviews knowing the biases of the different reviewers and trying to decode it all and compare it to what I'm looking for.
 

Jeff Fearnside

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Thank you for saying that. I mean this film was given a great review by Mychal, a wonderful and sane HTF reviewer. Why are people not believing what he wrote over the br.com guy's opinion? Sorry for not stating that earlier.
I agree with you about Mychal. He's an excellent reviewer who has steered me right on many releases. I trust him on his review of TUoC. I still enjoy reading what other reviewers (including those on this forum speaking more informally in threads like this) have to say.
 
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