Brilliant Preston Sturges romantic farce makes a welcome Blu-ray debut. 4.5 Stars

Preston Sturges’ The Lady Eve, one of the most memorable of the battle-of-the-sexes comedies and among the writer-director’s greatest achievements, makes a stunning Blu-ray debut in Criterion’s impressive new release.

The Lady Eve (1941)
Released: 21 Mar 1941
Rated: Passed
Runtime: 94 min
Director: Preston Sturges
Genre: Comedy, Romance
Cast: Barbara Stanwyck, Henry Fonda, Charles Coburn, Eugene Pallette
Writer(s): Monckton Hoffe (screen play: based on a story by), Preston Sturges
Plot: A trio of classy card sharks targets the socially awkward heir to brewery millions for his money, until one of them falls in love with him.
IMDB rating: 7.8
MetaScore: 96

Disc Information
Studio: Criterion
Distributed By: N/A
Video Resolution: 1080P/AVC
Aspect Ratio: 1.37:1
Audio: English PCM 1.0 (Mono)
Subtitles: English SDH
Rating: Not Rated
Run Time: 1 Hr. 34 Min.
Package Includes: Blu-ray
Case Type: keep case
Disc Type: BD50 (dual layer)
Region: A
Release Date: 07/14/2020
MSRP: $39.95

The Production: 5/5

With just his third production as both writer and director, Preston Sturges reached the apex of his career with The Lady Eve. There would be other high points to follow right after it: The Palm Beach Story, Sullivan’s Travels, The Miracle of Morgan’s Creek, but he’d never be any better than in The Lady Eve, an uncanny blend of romantic comedy and slapstick chicanery that weaves its ardor and its farce together with a sinewy brilliance.

Jean Harrington (Barbara Stanwyck) is a con artist travelling on a luxury liner with her even-more-expert card sharp father (Charles Coburn) with their sights set on one of America’s wealthiest heirs, Charles Pike (Henry Fonda). Things get complicated when Jean starts falling for her mark and he for her. When Charles is presented with evidence that Jean is a con woman, his disillusionment forces him to end their engagement. Jean, fixated on revenge and yet still secretly pining for the millionaire, devises a plan to get back into Charles’ life. She re-introduces herself to Charles as an aristocrat named Lady Eve Sidwich, but her strong resemblance to the woman he had given his heart to keeps Charles in a perpetual state of disarray and discombobulation.

Director Preston Sturges’ clever script is neatly planned to emphasize the romance in the film’s first part and leave most of the slapstick antics (much of it with Henry Fonda’s Charles as the inevitable victim) in the second half. Spread throughout, however, are a stunning series of set pieces that make for delicious viewing: a wonderfully witty game of poker where father and daughter play a cunning game of one-upmanship, the roaringly funny slapstick dinner party for “Lady Sidwich,” the proposal with a nudging horse as an interloper with all of these antics (and more) punctuated with some of the cleverest and most literate dialogue Sturges ever dreamed up. In his director’s guise, Sturges stages a wonderful introduction to Charles’ study of snakes, one of whom seems to get loose at the most inopportune moments (hilarious when the butler played by Robert Greig claims not to have seen the escaped serpent only to walk away unknowingly with it wrapped around his ankle) and mounts a glorious montage of the preparations for the wedding filled with wonderful sights that don’t require a word of dialogue to make us completely engaged in the upcoming festivities.

Barbara Stanwyck has never been better handling the comedy, the drama, and the romance than she is here. She may have earned her 1941 Oscar nomination for Ball of Fire, but she could have just as easily been nominated for her work in this picture so spot-on is she with her devotion to Charles, her believable distress with his desertion of her Jean, and her masquerade as Lady Sidwich (even if she can’t quite remove the Brooklyn twang from her English accent, but it’s funny because it wouldn’t fool any of the audience but fools everyone in the movie). Henry Fonda plays preoccupation better than just about anyone whether it’s with his snakes or his budding romance, and he maneuvers a series of pratfalls sensationally. Charles Coburn as Jean’s father and Eugene Palette as Charles’ father both manage their characters’ bluster and boldness with just the right comic finesse. Eric Blore has some marvelous comical moments as a fellow con artist, but William Demarest really steals the picture right out from under everyone’s noses as Charles’ Man Friday Muggsy. He’s amusingly grouchy and crass throughout, and he has a genius moment where he grabs a brush and mimics Adolf Hitler in trying to make a point to his ward about the ease with which someone can impersonate someone else. It’s only one of dozens of genius moments in this sterling slapstick romance.

Video: 4.5/5

3D Rating: NA

The film’s 1.37:1 original theatrical aspect ratio is faithfully rendered in this 1080p transfer using the AVC codec. While the transfer looks generally filmic with a soft layer of grain, there are a couple of places where one can spot the remastering work which has occurred to smooth away problems: some light spotting on the right hand side of the frame and a couple of light white scratches that barely show up late in the picture. The grayscale is very nice with very good black levels (while not quite the inkiest possible) and rich, crisp whites. The movie has been divided into 26 chapters.

Audio: 5/5

The PCM 1.0 audio track offers mono sound fidelity very reminiscent of its era. Dialogue has been wonderfully recorded and has been combined with the background score (which often uses standards from Paramount films like “Isn’t It Romantic”) and sound effects with expert professionalism. Age-related anomalies like hiss, crackle, flutter, and hum have been removed and do not in any way affect one’s listening enjoyment.

Special Features: 5/5

Audio Commentary: film historian Marian Keane provides a scene-by-scene analysis of the film, one she calls among the best of the “remarriage comedies.”

Peter Bogdanovich Introduction (8:08, SD): the filmmaker offers a brief video analysis of the movie touching on all of the production’s most memorable moments.

Film Scholar Roundtable (42:12, SD): recorded in 2020 on Zoom when meeting together would be impossible, seven filmmakers and/or historians discuss the merits of The Lady Eve and other Preston Sturges productions. They include directors Ron Shelton, James Brooks, and Peter Bogdanovich and film historians Leonard Maltin, Kenneth Turan, and Susan King, and Preston Sturges’ son Tom.

The Lady Deceives (21:30, HD): film critic David Cairns offers an expansive critical video analysis of the movie.

Edith Head Commentary (6:22, HD): excerpted from her book on her Hollywood costume designs, Edith Head notes (in on-screen captions taken from her book) her ideas for Barbara Stanwyck’s wardrobe for the movie.

Lux Radio Theatre (44:46): 1942 radio adaptation of the movie starring Barbara Stanwyck and Ray Milland.

“Up the Amazon” (5:00): the opening song for a proposed stage version of The Lady Eve.

Theatrical Trailer (1:28, HD)

Thirty-Six Page Booklet: contains cast and crew lists, stills from the movie and backstage publicity shots, information on the video and audio transfers, an essay on the movie by critic Geoffrey O’Brien, and a 1946 profile of Preston Sturges from Life magazine.

Overall: 4.5/5

Preston Sturges’ The Lady Eve, one of the most memorable of the battle-of-the-sexes comedies and among the writer-director’s greatest achievements, makes a stunning Blu-ray debut in Criterion’s impressive new release. Highly recommended!

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Matt Hough

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filmnoirguy

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I made the mistake of buying the Criterion DVD of The Lady Eve back in 2015. It looks like it was tranferred from a bad VHS tape. So I'm more than ready to buy this restored Blu-ray of one of my all-time favorite comedies!
 

Robert Crawford

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Today, I watched my Criterion Blu-ray and I concur with Matt's review of it. I'm going to compare this BD video presentation to the HD digital that I purchased back in 2017. At least, I'm going attempt to do so as time is a premium.;)
 

Music lover10

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Was looking forward to a real stunner as this is a favorite movie. Can't say I was knocked out by a number of washed out close-ups or the very dupey look generally. In any event, my guess is that this may be the best it will ever look. The 1939 'Hunchback" is a totally different look, but when elements such as an OCN are available the results can be pretty stunning. BTW, where is Gunga Din (1939)?
 

haineshisway

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Was looking forward to a real stunner as this is a favorite movie. Can't say I was knocked out by a number of washed out close-ups or the very dupey look generally. In any event, my guess is that this may be the best it will ever look. The 1939 'Hunchback" is a totally different look, but when elements such as an OCN are available the results can be pretty stunning. BTW, where is Gunga Din (1939)?

Just watched it last night and loved it. But agree that it's not great looking and clearly some generations away from the negative. There are quite a few opticals, so one has to excuse those, but not up there with the great black-and-white transfers.
 

Jay_Z_525

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Just watched it last night and loved it. But agree that it's not great looking and clearly some generations away from the negative. There are quite a few opticals, so one has to excuse those, but not up there with the great black-and-white transfers.
It is a substantial improvement over the previous release, showing more detail and better contrast but, yeah, time and lack of original elements do effect the picture but it doesn’t distract or take away from the enjoyment. This is probably the best it will ever look. I will say, the audio just falls flat for me, I find it a little muddy- to my ears anyway.
 

Angelo Colombus

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View it for the first time as a blind purchase since i am a big fan of Preston Sturges and liked the film and have to say Barbara Stanwyck looked very sexy and poor Henry Fonda falling down or getting his clothes wet.
 

lark144

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mark gross
The DVD wasn't exactly exemplary and I recall a few years back Criterion stating there wouldn't be a Blu-Ray of "The Lady Eve" because of the poor quality of the elements, and then lo and behold and Blu-Ray was announced. Yes, it's not pristine and clearly a number of generations removed from the original. But I love it. I think it captures the gleam and glow of the Paramount look way better than Criterion's "Sullivan's Travels" Blu-Ray. I think they did a great job, considering what they had to work with, and I for one am very impressed. I've watched the film three times already and hadn't noticed any paucity in visual quality.
 

Jay_Z_525

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I agree and I wouldn’t dissuade anyone from picking it up. Fantastic movie, certainly looking the best it ever will- can’t go wrong here.
 

lark144

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The quality of the transfer--and yes, I think the master, third or fourth generation or not, is very high quality--makes the pratfalls a whole lot funnier, because of the detail and the sheen of the cinematography and the sumptuous grey scale.