The Heiress – Criterion Blu-ray Review

4.5 Stars William Wyler classic debuts on Blu-ray

By the end of the 1940’s, William Wyler had firmly established himself as one of the best directors working in Hollywood; his Oscar winning efforts in both Mrs. Miniver (1942) and The Best Years of Our Lives (1946) certainly helped cement that status. Another effort coming in at the end of the decade, The Heiress, further solidified him and reaffirmed his status as a master director with a great command. Released theatrically by Paramount Pictures and previously released by Universal on DVD, Criterion has licensed the film for their collection and given the movie its Blu-ray debut.

The Heiress (1949)
Released: 28 Dec 1949
Rated: Not Rated
Runtime: 115 min
Director: William Wyler
Genre: Drama, Romance
Cast: Olivia de Havilland, Montgomery Clift, Ralph Richardson, Miriam Hopkins
Writer(s): Ruth Goetz (written for the screen by), Augustus Goetz (written for the screen by), Ruth Goetz (from the play "The Heiress"by), Augustus Goetz (from the play "The Heiress"by), Henry James (suggested by the novel "Washington Square" by)
Plot: A young naive woman falls for a handsome young man who her emotionally abusive father suspects is a fortune hunter.
IMDB rating: 8.2
MetaScore: N/A

Disc Information
Studio: Paramount
Distributed By: Criterion Collection
Video Resolution: 1080P/AVC
Aspect Ratio: 1.37:1
Audio: English PCM 1.0 (Mono)
Subtitles: English SDH
Rating: Not Rated
Run Time: 1 Hr. 55 Min.
Package Includes: Blu-ray
Case Type: Clear keep case
Disc Type: BD50 (dual layer)
Region: A
Release Date: 05/07/2019
MSRP: $39.99

The Production: 4.5/5

In mid 19th Century New York City, Catherine Sloper (Olivia de Havilland) is a shy and reserved young woman living with her father, Dr. Austin Sloper (Ralph Richardson). During a social gathering for her cousin’s upcoming wedding, she meets the handsome Morris Townsend (Montgomery Clift) and begins to fall in love with him after a brief courtship. However, Dr. Sloper begins to suspect that Morris’ motives for courting Catherine aren’t in the purest of interests, but Catherine believes that’s not the case. One fateful night will change the course of Catherine’s life forever…

In a career filled with many highlights, William Wyler’s The Heiress stands out as a prime example of how human emotions can be just as riveting as a good Hitchcock thriller. By keeping the main reason for the initial courtship between Morris and Catherine ambiguous, Wyler manages to generate suspense over how the relationship will turn out, especially when hints emerge that the intentions might not be as wholesome as it may appear. Another big plus is the sumptuous production design, drawing us into this world where a façade may not tell us the whole story. Finally, the decision to end the film on a very un-Hollywood way further demonstrates of how human emotions and passions can be interpreted or misinterpreted, leaving one to wonder if Catherine made the right choice after all. All of these elements are clear proof of a filmmaker working at the top of his game. While the film’s source material would be remade years later as Washington Square (1997), The Heiress is still a timeless film and adaptation of the Henry James novel and the play based thereon by Ruth & Augustus Goetz (the couple also wrote the screenplay here), one where nearly every element from production to final product on screen is nearly perfect in its execution.

Olivia de Havilland gives one of the greatest performances of her career as Catherine Sloper; her brilliant turn from shy innocent into a hardened cynic netted her the second (and very well deserved) of two Oscars she would win in her career. In a part that helped to further solidify his leading man status, Montgomery Clift makes for a dashing and comprehensive Morris; Ralph Richardson makes a memorable impression (and earned an Oscar nomination as well) as the emotionally lacerating Dr. Sloper, a man who can’t see past the unreasonably high standards he has set for his daughter. Miriam Hopkins is a scene stealer as the old-fashioned romantic Aunt Lavinia; it stands out as one of the best performances of her career. Other notable appearances include Vanessa Brown as the Sloper’s maid, Mona Freeman as a cousin of Catherine’s, Ray Collins and Selena Royle as Catherine’s relatives whose daughter’s engagement party serves as the catalyst for Morris and Catherine’s own courtship, Betty Linley as Morris’ sister who reveals some secrets from her brother’s past, an uncredited Franklyn Farnum as a colleague of Dr. Sloper’s, and an uncredited Douglas Spencer as the minister.

Video: 4.5/5

3D Rating: NA

The film’s original 1:37:1 aspect ratio is intact in this brand new 4K transfer for this release. Film grain is intact and organic throughout; fine details and gray scale are given a faithful rendering. There’s minimal instances of age related issues like print damage, scratches, dirt, and dust, which makes this transfer an improvement over the Universal DVD and likely the best the film will ever look on home video.

Audio: 5/5

The film’s original mono soundtrack is presented on a 1.0 PCM track for this release. Dialogue is strong and clear with great fidelity given to Aaron Copland’s magnificent Oscar winning score and the sound design. There’s nearly no instances of age related issues with this track, which makes this the best the movie has and likely will ever sound on home video.

Special Features: 4/5

A conversation with Jay Cocks & Farran Smith Nehme (22:46) – The screenwriter and film critic talk about the movie and draw a few parallels to Martin Scorsese’s The Age of Innocence, a film which could be a spiritual cousin to this movie.

A program on the film’s costumes with Larry McQueen (15:00) – In this new program, the costume historian and collector goes over Edith Head’s work on the movie and shows one of the costumes from the film from his personal collection.

The Costume Designer short (8:58) – This recently restored short from 1950 goes over the process of designing costumes for the movies, featuring the famed Edith Head.

Olivia de Havilland on The Paul Ryan Show (44:59) – In this two-part interview from 1986, the actress talks about her career as well as her time working on the movie.

William Wyler on The Merv Griffin Show (16:41) – A couple of excerpts from the 1973 tribute to the director, featuring appearances by Wyler, actor Walter Pidgeon, and actresses Bette Davis and Olivia de Havilland.

Salute to William Wyler (5:35) – The director’s acceptance speech for the AFI’s Lifetime Achievement Award is presented in this excerpt from 1976.

Ralph Richardson interview (7:09) – The actor talks about his time working on the movie in this excerpt from the 1981 documentary Directed by William Wyler.

Original Theatrical Trailer (2:50)

Fold out with an essay by Pamela Hutchinson

Not carried over from Universal’s DVD is a brief introduction to the film by TCM host Robert Osborne.

Overall: 4.5/5

A tour de force for both its leading lady and director, The Heiress remains a spectacular example of Hollywood filmmaking and storytelling at its prime. Criterion has done a tremendous job of giving the film a great presentation with an equally great set of special features diving into the film and its many layers. Highly recommended and worth upgrading from the previous Universal DVD. The Heiress (The Criterion Collection) [Blu-ray]: Montgomery Clift, Olivia de Havilland, Ralph Richardson, William Wyler: Movies & TV

Mychal has been on the Home Theater Forum’s reviewing staff since 2018, with reviews numbering close to 300. During this time, he has also been working as an assistant manager at The Cotton Patch – his family’s fabric and quilting supplies business in Keizer, Oregon. When not working at reviewing movies or working at the family business, he enjoys exploring the Oregon Coast, playing video games and watching baseball in addition to his expansive collection of movies on DVD, Blu-ray and UHD, totalling over 3,000 movies.

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