GregK
Screenwriter
- Joined
- Nov 22, 2000
- Messages
- 1,056
Two weeks away!
3-strip technicolor prints do not consist of multiple strips of film. The prints are single strips just like any other print. Or did I miss some very subtle joking on your part ?Richard--W said:So, the Egyptian will project The French Line, Inferno, Second Chance and Money From Home in original 3-strip Technicolor / dye-transfer prints. Three strips of film going through each projector. You don't see that everyday.
No, just a badly worded post. Looking it over now confuses even me.Rob W said:3-strip technicolor prints do not consist of multiple strips of film. The prints are single strips just like any other print. Or did I miss some very subtle joking on your part ?
Hi Bob,Bob Furmanek said:Only two 3-D features were photographed with the Dynoptic Technicolor 3-D rig (YCM left/right) using six rolls of film per take:
MONEY FROM HOME
FLIGHT TO TANGIER
All the others that were printed in Technicolor (French Line, Inferno, Second Chance, Fort Ti, WIngs of the Hawk, The Stranger Wore a Gun, Devil's Canyon, Phantom of the Rue Morgue, etc) were photographed on standard Eastman color negative.
The Real-D showings will be circular polarized. The previous Hondo showing at the Academy was an active shutterglass system and not Real-D.Richard--W said:I wonder if Real D will be handing out active glasses during the first weekend.
Bob Furmanek said:Not all of those are DCP.
Of course the intended OAR is preferred, but if you haven't seen HONDO projected in 3-D before you'll still enjoy it regardless of the aspect ratio. I guarantee you'll enjoy it.bujaki said:Hondo @ 1.37 is a disappointment. I was looking forward to the total experience of 3D and OAR.
I have not checked them all, but the Expo III website should properly list each title's projection format. http://3-dfilmexpo.com/filmguide/filmsRichard--W said:If you know, you might want to identify for us which titles are the DCPs during the first weekend.