Dick
Senior HTF Member
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- Rick
If the movie is well-made enough, that shouldn't be an issue, even if you sit through three minutes worth of opening credits. It's skill vs. less skill. Any good movie of the 1920's-80's sets up an atmosphere with its opening credits, which in no way impedes upon the involvement of the audience in the main feature. Not for me, anyway. Example: THE BRIDGE ON THE RIVER KWAI (my all-time favorite film), in which the credits run on top of live-action scenes. The opening credits are over two minutes in length. Within moments of the "Directed by David Lean" credit, one is completely sucked into the movie and has no consciousness whatsoever about a "crew standing just offscreen." Clever animated sequences such as those in THE PINK PANTHER series, or live-action photographed images such as in the James Bond films, or graphic designs such as in VERTIGO, completely set the audience up for the story that follows. For films in which the openings credits are simply text over a simple background, the underscore sets the tone, preparing us for the story emotionally with music.Christopher Nolan often reserves the title card to be the first card onscreen at the end of the movie. A lot of Marvel movies save the title card for during the end credits. The new "Star Trek Beyond" also reserves its title card for midway through the end credits.
As I mentioned in my earlier post, I'm completely okay with this. It helps me suspend disbelief and makes it easier for me to forget that I'm watching a bunch of actors on a set with a crew standing just offscreen.
I don't dispute that there are movies that work very well with no opening credits. I simply miss what is now a dying (in fact, nearly dead) art -- that of the main title sequence at the start of a film. The Saul Bass, Maurice Binder and Kyle Cooper days are pretty much over, I fear.
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