alter filmnarr
Stunt Coordinator
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- Jul 19, 2008
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- Gerhard
A Little OT as well, but are there any news about the 50th Anniversary Edition of "My Fair Lady", Mr. Harris? It's now almost 9 month overdue :-(
Ha, yup, look at the My Fair Lady thread.A Little OT as well, but are there any news about the 50th Anniversary Edition of "My Fair Lady", Mr. Harris? It's now almost 9 month overdue :-(
nikonf5 said:Will the final Blu have the screen content [picture area shown] as it is on the 4K screens or as it shows on the old 2010 Blu comparison screens ?
Asking because they are not truly identical as there is some "zoom-in" on the picture in the older caps, the worst case of this is the pic with the carriages in it which actually has some additional horizontal shift as well.
I stripped the black bars on both pairs of pics, named them the same [with 2010 and 2015 appended] and viewed it using a viewer that displayed them through the same sized window so shifting back and forth with the arrow keys made differences very obvious.
You're "facts" and history are incorrect and totally OT.bujaki said:As a footnote, it's good to remember that the KKK was, and still is a legal organization in the USA. The communists were hounded, but not the KKK.
My apologies.Douglas_H said:You're "facts" and history are incorrect and totally OT.
Yeah, it has the "When in Southern California Visit Universal Studios" thing which they used then too.ahollis said:I think that is the poster for the 1967 35mm re-release.
Can someone explain how "Panavision" applies here? Isn't Panavision a production system rather than a post-production or exhibition system? I don't see how it would apply to a 35mm release of a movie filmed in an entirely different process by a different company.Mike Frezon said:
I think the best one is the original, gold medallions on a red background, certainly the most classy.ahollis said:I think that is the poster for the 1967 35mm re-release.
RichMurphy said:Can someone explain how "Panavision" applies here? Isn't Panavision a production system rather than a post-production or exhibition system? I don't see how it would apply to a 35mm release of a movie filmed in an entirely different process by a different company.
With Spartacus being shot in Super Technirama 70 I strongly doubt that Panavision could claim to have had a substantial part in the production. Probably just some marketing / advertising blunder.Worth said:I would guess it was shot with Panavision cameras and lenses.
Panavision's credit refers to printer lenses used to convert the 8-perf 35mm negative to a 70mm 5-perf print. Spartacus had been slated to be the first live action picture to utilize the Super Technirama 70 format, but its extended production time allowed the system to be used on Solomon and Sheba first. Publicity departments being what they are, a reissue of the film made no mention of Technirama or Super Technirama 70, instead the new ad materials said it was in Panavision and Technicolor. Incorrect for sure, but it was in indication of the wide acceptance of Panavision technology.
Worth said:
I agree.Billy Batson said:I think the best one is the original, gold medallions on a red background, certainly the most classy.
Good find, as Panavision only had a part in printing the 70mm prints it is quite misleading to put them up there for a 35mm reissue.Worth said: