Yep, one of the greatest dancers in movie history reduced to being a befuddled dance partner. At least he got something of a proper showcase in Pennies from Heaven.I believe they cut the entire swan lake number or at least most of it when the film was re-released in the early seventies. No loss. Poor Tommy Rall who is one of the greatest male dancers Hollywood has known doesn't even get any credit but it's just as well because he has nothing to do. What a waste.
KPmusmag---I remember the superimposed gambling shots over the Swan Lake sequence when I saw FUNNY GIRL in its initial roadshow release. But later prints did not include it. I am not sure why.
Tommy Rall deserved better than he got in his career. I guess KISS ME KATE is probably his best role---he was a perfect foil for Ann Miller.
And if you look sharp during the "I'm The Greatest Star" number.... about 18:40 into the Blu Ray, if you look carefully at the lower left hand corner of the screen you can see two hands holding a still camera come into the frame. Anyone else ever notice that?
Here is Tommy Rall with Bob Fosse in "My Sister Eileen"
There is a short on youtube about the filming of Don't rain on my parade talking about the train station.I never saw the original roadshow run of Funny Girl(though I passed in front the Criterion a number of times with my family when it was there) but saw it when it came out to the suburbs, saw it in revival houses, saw it at Radio City and the restored film at the Ziegfeld but never saw the super imposed shots of Nick gambling. Also never saw the hands with the camera either.
I'd also like to know what railroad station waiting room was used for Baltimore. It sure isn't Hoboken because I know it well.
However what was used from the Hoboken station was the arrival platform where the girls come out of the train and where Fanny meets Nick after a long separation. When was that shot? Very early on a Sunday morning? Those are very busy with trains coming in all day from all over NJ for people using the PATH to get into the city where once they would use the adjacent ferry terminal(still standing derelict) before the Hudson Tubes(PATH) were built.
In the roadshow the SWAN LAKE number was very brief, with the superimposed shots. Of course most of the criticism of the film was the downer second act so much of the number was put back in to give a bit of comedy to that section.KPmusmag---I remember the superimposed gambling shots over the Swan Lake sequence when I saw FUNNY GIRL in its initial roadshow release. But later prints did not include it. I am not sure why.
Tommy Rall deserved better than he got in his career. I guess KISS ME KATE is probably his best role---he was a perfect foil for Ann Miller.
And if you look sharp during the "I'm The Greatest Star" number.... about 18:40 into the Blu Ray, if you look carefully at the lower left hand corner of the screen you can see two hands holding a still camera come into the frame. Anyone else ever notice that?
From the Barbra Archives website.Apparently it was a mothballed station which was opened up for the movie shoot.
Again posted by the Barbra Archive is Streisand discussing the cut part of the Swan.
Concerning Nick playing poker during the Swan the Barbra Archive believes that was included in the version of the film original shown in Europe.
Per the Barbra Archive:
William Wyler cut out much of the dialogue and superimposed footage of Omar Sharif as Nick gambling. Apparently, this version was actually shown in Europe.
Funny Girl 1968 Cut Scenes and Musical Numbers Deleted
The Barbra Streisand Archives lists all the cut scenes from the movie of Funny Girl, including rare photos from the film.www.barbra-archives.info
I have seen both Beanie and Sheridan. I have never been more in alignment with Arthur Laurents assessment of Barbara Streisand as an indelible genius than I was while witnessing these two actresses attempt to play Fanny Brice. They are both distinctive in their own ways but Barbara Streisand brought charm, wit, sly sensuality, immediacy, a bit of madness and a preternatural musical gift into a dizzying performance that made Brice, as written for the musical, an absolutely unforgettable original. This is a case where you can't "act" certain kinds of lightning in a bottle. You either got it or you aint... and boyz Streisand got. While acceptable, the other actresses ain't got it! and without "it", every problem of the writing in the libretto glares and overwhelms the pleasures of the evening. It's the equivalent of casting an excellent actress who sings acceptably as Eliza Doolittle or Effie Melody White. The revival opens tonight... CAN WE HAVE THE 4K DISC ASAP???The curtain call is on youtube if you want to get an idea of the physical production.
And I believe the entire Menier production in London which received raves for its star Sheridan Smith is also there.
To rip the bandage off quickly: Feldstein is not stupendous. She’s good. She’s funny enough in places, and immensely likable always, as was already evident from her performances in the movies Booksmart and Lady Bird and, on Broadway, in Hello, Dolly! You root for her to raise the roof, but she only bumps against it a little. Her voice, though solid and sweet and clear, is not well suited to the music, and you feel her working as hard as she can to power through the gap. But working hard at what should be naturally extraordinary is not in Fanny’s DNA.
I assume there were no subtitles so it would have had to come from an English speaking country.Interesting. I wonder where the print came from that I saw in L.A. Would European prints have come back to Columbia?