Adam Lenhardt
Senior HTF Member
The question is why? Why pad things out when the story can be told fluidly in a single episode. After trying and failing to get into Flash Forward, which has the pacing of a snail, I found the cheetah pace of the pilot really engaging.Originally Posted by WillG
Yeah, I also felt that the show seemed a bit rushed. I liked the slow build of the original miniseries better where the strange things that were happening were more subtle. I think they could have stretched it out for maybe another episode.
By introducing all of the major revelations from the original miniseries in the first hour, it allows the show to embark on its own direction. Tonight's pilot was both an introduction to our eclectic cast of characters and a declaration of basically, "Here's what we're keeping from the original. Now see where we go with it."
You can read a Barack Obama allegory into the Visitors, but I think you can also read a FreedomWorks/Tea Party allegory into it as well. The larger idea, which I found fasinating, is that the Visitor sleeper cells actively worked to increase political polarization into more radicalized camps around the world. The more radical each side is, the more discord and turmoil in the world. The more discord and turmoil in the world, the more the population will desire a savior. Adolf Hitler exploited the discord and turmoil of Germany under war reparations between the world wars to build support for his national socialist party. What the Visitors have essentially done is artificially manufacture the conditions that allowed someone like Hitler to thrive politically so that they themselves could thrive politically.It did seem like there was some allegory to a certain figure, from the immediate applause of people after Anna's initial message to even a direct reference to a controversial issue that the Vs were offering.
My guess is because they're not peaceful. I would bet these ships are warships which have been hastily retrofitted to their current diplomatic purpose. I would bet that more civilizations have experienced the Visitors' ships "about to attack and scare the shit out of people" than have experienced them in the manner that humanity has experienced them. Even if that's not the case, scaring the shit out of people before reassuring them convinces them of your power.One thing that bothered me is that if you were an alien race trying to appear peaceful, why would you show up in a ship, and open it up like you're about to attack and scare the shit out of people, couldn't they have just said "we're opening up a display panel, don't be frightened" I guess maybe since they are "always peaceful" they never bothered to think that other races might perceive them as a threat (or at least what they would want us to think)
I don't have any "Lost" baggage, so Elizabeth Mitchell didn't really bother me. I had a tougher time buying Alan Tudyk as her happy-go-lucky, insanely selfless partner. When he turned out to be a homicidal reptile, my concern was resolved.
I think the thing that excites me the most is having Scott Peters running a show again. While "The 4400" sometimes suffered from wooden dialog and questionable acting, it was IMO indisputably the smartest science fiction show on television during the years it aired. It regularly went to places that were serious science fiction in the way that other shows like "Heroes" rarely seem to. That he brought Joel Gretsch along with him is an added bonus. Morena Baccarin is so excellent as the head Visitor that the creepiness might impair my enjoyment of "Firefly". Scott Wolf's likeable in anything he seems to show up in. Laura Vandervoort looks about as attractive as she did on "Smallville", which is very attractive indeed.