Keith Cobby
Senior HTF Member
I didn't want to turn this thread into a Universal wishlist, but now that Bob Hope's name has been mentioned could we have My Favorite Blonde please (my favourite of all his films).
From my point of view, they will excel when they release It Came from Outer Space in 3D. Throw in Revenge of the Creature 3D too. And while they're at it fix the 3D problems on Creature from the Black Lagoon too. I would rebuy that too.Ronald Epstein said:Dick, I am not saying anything that all of us already know...
Universal has been the absolute worst studio when it comes to their releases.
They have been steadily improving over the past three years or more, but now, I think they are starting to really excel.
Bravo to them! It's about time!
Mark Edward Heuck said:To partially answer the "Why is Universal working on ONE-EYED JACKS" question...
The wall that has been hit multiple times on the lack of activity on the movie has been Paramount's curious insistence that they do not own it, despite having put it out on videocassette and laserdisc (the nicely letterboxed LD being the source for almost all subsequent PD DVD bootlegs that have followed). When pressed, they would claim that Universal owns it, but in turn when approached to book the film or for other confirmations, Universal often denied having it either.
After multiple conversations with a genial representative of the Brando estate, what I was able to piece together is that because of the debt incurred from self-financing the film through his Pennebaker Productions company, Brando effectively sold the company to Universal in exchange for a five picture contract in order to finish it. And Brando did make those five films (THE UGLY AMERICAN, BEDTIME STORY, THE APPALOOSA, A COUNTESS FROM HONG KONG, and THE NIGHT OF THE FOLLOWING DAY). As such, while I am not a lawyer or have had further contact with the estate, this would seem to be the logic: Paramount's distribution rights expired after so many years, and whereas it would have reverted to Brando himself, because of that bailout it went to Universal. At the time of our chat, though, he said Universal was still pleading ignorance, to which I suggested that they should follow the same path that William Friedkin did with SORCERER (which also involved a Paramount/Universal mutual denial): File a lawsuit against both studios, so that during the discovery process, they would be forced to dig for any and all paperwork to confirm ownership.
Now, I have no idea if that was done or not. But, the fact that this trustworthy source is saying that Universal is participating with Film Foundation on this project, again, reason suggests that the matter has been resolved.
Tony J Case said:Excellent news! While I have mad love for the Marx Brothers (and will eventually buy them), I'm really itching for a Universal Monsters 2 set. That is as no-brain or a no-brainer as you can get.
Although - interesting, only just those five? Just Ghost of Frankenstein, Frankenstein Meets the Wolfman, House of Frankenstein, Son of Frankenstein and House of Dracula? No Invisible Man sequels? No Mummy sequels? She-Wolf of London? The Abbot and Costello vs flicks? The Creature Walks Among Us?
I wonder if that means all the other movies are in good enough shape to release as-is, or if they're waiting for Universal Monsters Volume 3?
Yes, misread what I was citing. Thanks!Bob Furmanek said:MCA bought the Paramount pre-1948 feature library in February 1958.
https://books.google.com/books?id=PyEEAAAAMBAJ&pg=PA6&lpg=PA6&dq=billboard+paramount+mca+1958&source=bl&ots=KvPYmHfriP&sig=G5mWRj11nqNCKFv9E0jbO8qj_6Q&hl=en&sa=X&ved=0CB8Q6AEwAGoVChMInpGux4_cxgIVgaMeCh2bDAPR#v=onepage&q=billboard%20paramount%20mca%201958&f=false