Tom Vodhanel
Senior HTF Member
- Joined
- Sep 4, 1998
- Messages
- 2,241
Out of respect for ACi...so that thread can get back on topic...I'm copy/pasting a post I made about these two drivers on HTF on 1-6-04.
If anyone has any legitimate questions, now is the time and this is the thread.
Tom V.
SVS
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Hi all,
First, remember that terms like “fast”, “tight” ,”musical” are subjective in nature. So by definition, what audio enthusiast A thinks is "fast/tight/musical"...audio enthusiast B may not. Also, human bias will enter into the equation at some point. for example, If a manufacturer goes into great detail about how “fast” their bass is...after reading enough about that...some folks will naturally have a predisposition to believe it. So when they get the product home...by god the bass IS fast.. (this is the same human workings that cause us to hear differences when painting the edge of your CD green---well, the website explained it in 5 pages with big words and they have a bunch of testimonials...so...)
When talking about "fast bass", a subwoofer reviewer once said to me..."oh yeah, the bass was so fast it got out of the room before I could measure it".
It is also important to consider the length of sound waves in this context and how that relates to their decay in a typical room. A 20hz sound wave is about 55ft long. The longer the sound wave, the more time it is going to take to decay. This longer decay time is often interpreted as “slow bass” simply because the bass doesn't *snap* to a sudden stop(as it may with a subwoofer that rolls off in the 35-50hz range). It isn't a coincidence that the majority of subwoofers that claim to be “tight/musical” are small/moderate sized sealed designs. If you look for objective performance data on these units, you'll notice there is one definite trend...they all tend to have a frequency response which rolls off in the 32-50hz range. Tom Nousaine has a lot of good FR data on a ton of subwoofers. Audio magazine and Audio Ideas Guide both used to have a lot of FR data in all their subwoofer reviews too. (AIG might still, haven't had time to pick up a copy for a few months).
Now, there is nothing wrong in preferring that type of sound...it is a personal preference after all. But the correlation between what you think is “fast/tight” often has little to do with any magic a given manufacturer knows...and more to do with the very basics of the units performance...the frequency response(and several other factors introduced below).
In the words of Bill Cosby, (paraphrased)"I told you that...so I can tell you this"...
Among SVS designs, the Ultra driver is definitely top dog. I'm not going to wax poetically about its design...it is just a very good unit(and very expensive). The dB12 (Plus driver) is also a very good design, just not up to the same standards. The same can be said for the ISD driver we use in the PCi/CS,PB-1 and PB-2isd subwoofers. At low volume levels, all three of these units are going to sound nearly identical...only as the volume levels increase will the qualities of the dB12 and then the Ultra driver manifest themselves into audible benefits. Just how MUCH the volume levels would need to increase depends on many variables...and just how audible the differences were...would depend on additional variables...including the listeners experience and insight into how these difference may present themselves during source material playback. Here is an example of how THD (total harmonic distortion) may present itself…
Let’s use 25hz and 90/95/100/105/110dB levels (just an example remember…)
The Ultra driver may produce
If anyone has any legitimate questions, now is the time and this is the thread.
Tom V.
SVS
-------------------------------
Hi all,
First, remember that terms like “fast”, “tight” ,”musical” are subjective in nature. So by definition, what audio enthusiast A thinks is "fast/tight/musical"...audio enthusiast B may not. Also, human bias will enter into the equation at some point. for example, If a manufacturer goes into great detail about how “fast” their bass is...after reading enough about that...some folks will naturally have a predisposition to believe it. So when they get the product home...by god the bass IS fast.. (this is the same human workings that cause us to hear differences when painting the edge of your CD green---well, the website explained it in 5 pages with big words and they have a bunch of testimonials...so...)
When talking about "fast bass", a subwoofer reviewer once said to me..."oh yeah, the bass was so fast it got out of the room before I could measure it".
It is also important to consider the length of sound waves in this context and how that relates to their decay in a typical room. A 20hz sound wave is about 55ft long. The longer the sound wave, the more time it is going to take to decay. This longer decay time is often interpreted as “slow bass” simply because the bass doesn't *snap* to a sudden stop(as it may with a subwoofer that rolls off in the 35-50hz range). It isn't a coincidence that the majority of subwoofers that claim to be “tight/musical” are small/moderate sized sealed designs. If you look for objective performance data on these units, you'll notice there is one definite trend...they all tend to have a frequency response which rolls off in the 32-50hz range. Tom Nousaine has a lot of good FR data on a ton of subwoofers. Audio magazine and Audio Ideas Guide both used to have a lot of FR data in all their subwoofer reviews too. (AIG might still, haven't had time to pick up a copy for a few months).
Now, there is nothing wrong in preferring that type of sound...it is a personal preference after all. But the correlation between what you think is “fast/tight” often has little to do with any magic a given manufacturer knows...and more to do with the very basics of the units performance...the frequency response(and several other factors introduced below).
In the words of Bill Cosby, (paraphrased)"I told you that...so I can tell you this"...
Among SVS designs, the Ultra driver is definitely top dog. I'm not going to wax poetically about its design...it is just a very good unit(and very expensive). The dB12 (Plus driver) is also a very good design, just not up to the same standards. The same can be said for the ISD driver we use in the PCi/CS,PB-1 and PB-2isd subwoofers. At low volume levels, all three of these units are going to sound nearly identical...only as the volume levels increase will the qualities of the dB12 and then the Ultra driver manifest themselves into audible benefits. Just how MUCH the volume levels would need to increase depends on many variables...and just how audible the differences were...would depend on additional variables...including the listeners experience and insight into how these difference may present themselves during source material playback. Here is an example of how THD (total harmonic distortion) may present itself…
Let’s use 25hz and 90/95/100/105/110dB levels (just an example remember…)
The Ultra driver may produce