Scott-C
Supporting Actor
- Joined
- Jul 23, 2001
- Messages
- 863
...that you have up to $10,000 to spend on a pre/pro, primarily for HT use, and you are interested in getting the highest-quality sonic movie performance possible and would also like to have access to all the latest DSP formats (i.e. DD5.1, EX, DTS + matrix and discrete, DPLII, etc.). This piece would eventually control the sound in a dedicated HT environment set up with acoustic treatments, etc.
Upgradeability/futureproofing is important to you, and you're looking for a pre/pro from a company that is committed to supporting your product and has the ability to be easily upgraded as new sound formats become available.
You would also like this component to have analog inputs for DVD Audio/SACD.
While you're willing to spend the whole wad on a pre/pro if it is substantially better than others, you are also looking to determine if there are less expensive pre/pros that provide equivalent sonic quality/features. You don't want to compromise sound quality, however, just to save a few bucks.
Which pre/pros would you demo/evaluate?
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Scott
Upgradeability/futureproofing is important to you, and you're looking for a pre/pro from a company that is committed to supporting your product and has the ability to be easily upgraded as new sound formats become available.
You would also like this component to have analog inputs for DVD Audio/SACD.
While you're willing to spend the whole wad on a pre/pro if it is substantially better than others, you are also looking to determine if there are less expensive pre/pros that provide equivalent sonic quality/features. You don't want to compromise sound quality, however, just to save a few bucks.
Which pre/pros would you demo/evaluate?
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Scott