- Joined
- Nov 15, 2001
- Messages
- 5,210
- Real Name
- Neil Middlemiss
“Let my people go”. Charlton Heston’s casting is perhaps one of the greatest examples of finding the perfect person for the seemingly insurmountable task of bringing the larger-than-life biblical character of Moses to life. Heston’s chisel jaw, booming bass-rich voice, and stoic and grandly statuesque posturing comprised all the requisite theatrics and drama required to stand out-and not become swallowed by-the resplendent spectacle of a Cecile B. DeMille production.
The Ten Commandments was a monstrous success at the box office, grossing an enormous $65MM from a not small $15MM budget (that’s over $977MM adjusted for inflation). It would garner seven academy award nominations, winning for Visual Effects, and become a mainstay of Passover family entertainment on television after a long theatrical run and theatrical re-runs. It was considered good old-fashioned traditional filmmaking even in 1956 and was the antithesis of noir filmmaking (as Katherine Orrison so succinctly states in...
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