This was featured in an episode of a show I'm currently watching on Netflix called "Wentworth." It's basically an Australian version of Orange Is The New Black, only better. Beautiful song.
This was featured in an episode of a show I'm currently watching on Netflix called "Wentworth." It's basically an Australian version of Orange Is The New Black, only better. Beautiful song.
Alison Krauss, "Down to the River to Pray" - Excellent! Krauss is very good and this gospel song from her is a nice find!
I was privileged to sing with the Northeast Arkansas Master Chorale (an invitation only group of Choral directors and former voice majors) for a few years (we disbanded after our director left the area and had no one who could take over). I love acapella music of all kinds. A piece we performed is a favorite of the genre, Morten Lauridsen's "O Magnum Mysterium". I have no videos of us I could post so here's the next best thing.
St. Jacob's Youth Choir of Stockholm (a group about the size of ours) performing the same arrangement we used of Morten Lauridsen's "O Magnum Mysterium":
The truly great Curtis Mayfield doing "(Don't Worry) If There's A Hell Below, We're All Going To Go"
Curtis Mayfield, "(Don't Worry) If There's A Hell Below, We're All Going To Go" - I've not heard this one before. It has that "standard" instrumentation and vocal style I know from some of his other work. I like it. I like his high tenor and the funky groove of the bass line.
And... "(Don't Worry)..." ended and the system auto played Maze, "Happy Feelin's" which was very nice with a smooth groove. I don't know if everyone will get that same next track but I'd say let it play and see...
I first became aware of Curtis Mayfield after he scored the "Blaxploitation" film Superfly. He had at least 2 hits from that soundtrack:
"Superfly":
"Freddie's Dead":
I was both a band nerd *and* a choir nerd - double whammy! Then I grew my hair long in a town where very conservative attitudes prevailed (this was in the late 60s/early 70s - I was the first person in school with hair touching their shoulders - fought to get it past administration and won, getting the dress codes relaxed a bit in the process). The *perfect* trifecta!When I was in school, choir nerds were the only people of lesser stature than band nerds such as myself.
If you wanted to be popular you had to be in sports. Of course as an adult I now know value those days immensely.
As to this group and piece, I love the harmonizing but the material is a bit too sedate for me.
I was both a band nerd *and* a choir nerd - double whammy! Then I grew my hair long in a town where very conservative attitudes prevailed (this was in the late 60s/early 70s - I was the first person in school with hair touching their shoulders - fought to get it past administration and won, getting the dress codes relaxed a bit in the process). The *perfect* trifecta!
Been out of the thread for awhile; trying to catch up but I'll make these remarks for now...
Curtis Mayfield is pretty much a sure thing for me. I enjoyed all the tracks posted and would offer up this selection as a favorite. ( Mostly because I really love the percussion (roto-toms) on this track. It adds a lot of atmosphere to the song and sets the tone from the opening bars.) This was one of the first songs (that I recall) to drop the N-Bomb and I remember it playing unedited on FM radio back in the day. (Not my place to debate the merits of that, just an observation.)
K's Choice - "I'm Not An Addict" - I actually own the album Paradise In Me that features this track. I was purchasing a lot of music in the '90s and one of my best work friends turned me on to the album. I haven't thought of this group in a long time, but I still like their sound.
Alison Kraus - "Down to the River to Pray" - It is a beautiful song that I first heard many years ago in the Cohen Bros.' film O Brother Where Art Thou? Holds up really well. (As Christoper pointed out, in the sequence with the muses.)
- Walter.
So... those are called roto-toms, eh? I never knew the name, just how they sounded and that they're pretty much like a small version of a timpani head.
I'll say this and no more. It's all about authenticity and context. For that reason, this song would not have rang true without it. QT took a lot of heat for the use of the word in many of his films but, personally, I wouldn't have had it any other way. A good film (or song) depicts the facts of the time. Words only have the power we give them.This was one of the first songs (that I recall) to drop the N-Bomb and I remember it playing unedited on FM radio back in the day. (Not my place to debate the merits of that, just an observation.)