moovtune
Stunt Coordinator
I was waiting for an HD release of this title because it contains one of my favorite Thomas Newman scores but was disappointed by the audio quality of this 4K/Blu-ray release. I decided to do some testing by playing sections of the film turning off some of my speakers at various times. Then to double check, I connected the 5.1 analog outs of a blu-ray player into the 6 channel inputs on my multichannel interface to my computer to look at the resulting wav forms.
I'm now convinced that the L/R surround channels are incorrectly swapped with the L/R front channels. During normal listening the center channel is carrying all the normal level material but the L/R channels are very weak and the L/R panning of the orchestra is missing. I tried loading the End Title music into my computer patched "correctly" then switched the L/R front with the L/R surrounds and loaded it again. The so-called surround levels are much louder than the L/R fronts in the "correct" version and the front image is center heavy. When swapped, the balance across the front three channels is correctly balanced and sounds like a correct orchestral spread. The picture shows the End Title music when the channels were patched so the surrounds were input to the L/R and front channels were input to the LS/RS. Also, there are places in the film where elements that would normally be surround activity are in the front channels and if you turn off the fronts you hear activity that should be in the fronts that is heard in the surrounds instead. Disappointing error. The score doesn't have the prominence it should in the film, except in the center channel.
I'm now convinced that the L/R surround channels are incorrectly swapped with the L/R front channels. During normal listening the center channel is carrying all the normal level material but the L/R channels are very weak and the L/R panning of the orchestra is missing. I tried loading the End Title music into my computer patched "correctly" then switched the L/R front with the L/R surrounds and loaded it again. The so-called surround levels are much louder than the L/R fronts in the "correct" version and the front image is center heavy. When swapped, the balance across the front three channels is correctly balanced and sounds like a correct orchestral spread. The picture shows the End Title music when the channels were patched so the surrounds were input to the L/R and front channels were input to the LS/RS. Also, there are places in the film where elements that would normally be surround activity are in the front channels and if you turn off the fronts you hear activity that should be in the fronts that is heard in the surrounds instead. Disappointing error. The score doesn't have the prominence it should in the film, except in the center channel.
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