Peter Neski
Screenwriter
- Joined
- Mar 14, 2005
- Messages
- 1,191
sorry you guys are nuts ,its a great film
If the regular bluray was from the same scan as the 4k bluray, shouldn't the colors be the same?
eg. this blue at the sky:
http://caps-a-holic.com/c.php?go=1&a=0&d1=12208&d2=12206&s1=120885&s2=120855&i=7&l=0
Yeah it is !!!!!Remember, This is from the same director who gave you “Heaven’s Gate”!
Great film and one of the very best in the acting department.sorry you guys are nuts ,its a great film
4K UHD discs are region free ,while most Blue rays aren't no word of a US versionSo will this be released in the US soon, or should I just get the UK version? I understand the Blu-ray won't play, but the 4K is region free?
4K UHD discs are region free ,while most Blue rays aren't no word of a US version
Even if they came from the same scan, there is no inherent reason two different encodings should have the same color. For each product, any number of different processes may have been applied in between the scan and the final mastering.
Timing is everything; even with color.That is a valid question as one would think that at a given point in time there should be only one valid color timing.
Like for example with The Bridge on the River Kwai:
http://caps-a-holic.com/c.php?a=1&x=397&y=94&d1=11471&d2=5222&s1=112953&s2=48750&l=0&i=0&go=1
Instead we mostly get a significant difference in timing which shows that directors / cinematographers intent does not seem to be very important. From what I have seen so far Sony has been the most consistent with how they timed their UHD releases while even high profile releases from other studios with the director being involved like the Nolan films or Blade Runner now look quite different.
That is a valid question as one would think that at a given point in time there should be only one valid color timing.
Like for example with The Bridge on the River Kwai:
http://caps-a-holic.com/c.php?a=1&x=397&y=94&d1=11471&d2=5222&s1=112953&s2=48750&l=0&i=0&go=1
Instead we mostly get a significant difference in timing which shows that directors / cinematographers intent does not seem to be very important. From what I have seen so far Sony has been the most consistent with how they timed their UHD releases while even high profile releases from other studios with the director being involved like the Nolan films or Blade Runner now look quite different.
The question that I had responded to seemed to be making the assumption that the images in different products coming from a single common film scan should all exhibit the same colors. But of course the color processing takes place after the scan, so there's room for infinite variance between final products, for better or worse... (and sadly, it's sometimes for worse...)
Just checked out the price on Amazon.
The Studio Canal 4K of "The Deer Hunter" is priced at $61.98.
This one went from Streep to Steep.
Gee, whiz; was this the original price, or was this a limited pressing that went through the roof?