bigshot
Senior HTF Member
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- Stephen
By the way, Bob Wilbur was responsible for the recreated music in Cotton Club, not John Barry.
Will Krupp said:James Robert Parrish's indispensable book, FIASCO: A HISTORY OF HOLLYWOOD'S ICONIC FLOPS, goes into great detail about the tortuous production if anyone's interested. It's well worth a read!
http://www.amazon.com/Fiasco-History-Hollywoods-Iconic-Flops/dp/0470098295/ref=sr_1_7?ie=UTF8&qid=1426689409&sr=8-7&keywords=fiasco
It is the CED system from RCA.jcroy said:Looking closely at the form factor ^, it looks like an old videodisc from the early-1980s.
Yeah, I think Barry only composed two cues for the film, yet his name seems almost solely attached to the score.By the way, Bob Wilbur was responsible for the recreated music in Cotton Club, not John Barry.
You’ve frequently gone back and tweaked your films, such as “One From the Heart” and “The Outsiders.”
I recently did that with “The Cotton Club.” “The Cotton Club” was sort of made on the battlefield between the various people who put up the money and the producer (Robert Evans). At the time, they looked at it and said, “Oh, there’s too many black people in it. Can we cut out some of the tap dancing and put the emphasis less on the black people in the story?” I happened to have a Betamax very rough copy of what the movie had been before all that happened. I realized the movie had been 35 minutes longer. Much of the film had been lost, but through hook and crook, I was able to put it back together.
By JAKE COYLE, Associated Press
Published: April 29, 2016, 6:01 AM
http://www.columbian.com/news/2016/apr/29/francis-ford-coppola-the-eternal-film-student/
Two YEARS since he first mentioned it - I'll believe him when it actually appears.