- Joined
- Jan 12, 2001
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- 2,407
I only caught the Brave Little Tailor, and thought that looked very good indeed!
I'll watch the rest of them later.
I'll watch the rest of them later.
I watched The Sign of Zorro this afternoon. Ancient SD transfer with lots of dirt and damage. Disappointing.
That's right. It really makes no sense that TCM pulls an old DVD transfer when there is a much newer one in the correct ratio available. Mike, one of these days you're just going to have to bite the bullet and explore the treasure trove of Disney movies that are available in the "Wonderful World" of digital downloads, since the die appears to be cast regarding Disney and disc releases of deep catalog fare.We watched Toby Tyler tonight. First time we had ever seen it.
The 4:3 AR isn't right (Mark said it was open matte and that an HD widescreen transfer is available)? That's too bad.
If you get tired of waiting for TCM, you can always buy or rent from iTunes in HD widescreen.I'd love to see them present The Moon Spinners.
That's great to know. I had no idea it was available.If you get tired of waiting for TCM, you can always buy or rent from iTunes in HD widescreen.
Yes I was disappointed that they weren't HD remasters as they had been on previous Vault Disneys and that Mark of Zorro and Toby Tyler were not 1.66:1 like Disney has been doing for their widescreen films.In case anybody was wondering about last night's installment, you didn't miss anything. The Story of Robin Hood and His Merrie Men and The Sign of Zorro were the same old standard definition masters from the DVDs. Even worse they showed the open-matte Toby Tyler (probably SD as well) rather the the HD widescreen master that is available on iTunes.
Actually, regarding Toby Tyler, which is one of the titles that has an HD master available on the usual sites participating in DMA, there's a day-for-night scene with Toby and Henry Calvin's character riding on the stagecoach that looked kind of oddly colored, almost as if Walt saw South Pacific and decided to try some of their color effects out! At least that's how it looked on the DVD which is the only place I've actually seen the movie.
I actually like the blue filtered look of the scene much better because it looks a lot more realistic (to me) than most of the day-for-night photography used in old movies which look exactly like what they are: underexposed broad daylight.The blue pall cast over that seen was readily evident during the TCM broadcast. It was ludicrously odd. I rarely think much about day-for-night trickery...but this was in-your-face.
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I have another similar question. Where did this color version of the opening of the 1950's Mickey Mouse Club come from? Taken from youtube.
"Tricks of Our Trade" was originally on Disneyland and broadcast by ABC in B&W, I think it also was broadcast later on NBC on Walt Disney's Wonderful World of Color. It obviously was shot in color. Was there a period on the Disneyland TV show on ABC where the programs were filmed in color ? I know they were all broadcast in B&W. Or was it that some were in color and some were not. Davy Crockett was produced in color I know. The hour Zorro episodes on Disneyland after the 1/2 hour show went off the air were in B&W I believe.
I have another similar question. Where did this color version of the opening of the 1950's Mickey Mouse Club come from? Taken from youtube.