To those people who got tickets, you are very, very lucky. I don't care how stunning the eventual Blu-Ray may be, it can never match a 70mm viewing of this film.
I saw it in 1989 in 70mm as well (thank you, Mr. Robert Harris). It should also be noted that the film is playing elsewhere in Los Angeles for a one-time screening (Directors' Guild?).
I'm torn, also on wednesday is Tron in 70mm at the Sam goldwyn, and eleven dollars cheaper than LOA.
hell I'm even more excited for ghostbusters, total recall, sound of music, terminator two, mad max, vertigo and cleopatra in 70mm. coming at the end of this month and into july.
Even though it won't be 70MM, "Lawrence of Arabia" will be playing this Sunday June 4th, 2006 at the Jacob Burns Film Center in Pleasentville, NY. The highlight of this afternoon will be the Q&A after the movie with Janet Maslin and HTF member and film preservationist Robert A Harris.
Completely in agreement. I just saw POSEIDON in Imax and was blown away by the immersiveness of the experience, and kept thinking how spectacular LAWRENCE OF ARABIA, THE TEN COMMANDMENTS, BEN-HUR, CLEOPATRA, etc. would look in Imax.
I missed it several years ago and I fear I will never see it on the big screen.
I live in Texas, but am willing to fly anywhere in the nation to see it...seriously...I have the extra miles...and I missed out on this one....time to check the draft houses schedule again.
justin, i missed it too when it was playing @wang theatre here a few years back. it's just everyone's schedule is so busy they never get around to these grand events.
The first time I saw “Lawrence of Arabia” in 70mm was 1988, at the Odeon Marble Arch in London, WOW what a spectacular event in image and sound.
I’m a little jealous, because I would have liked to have seen and heard it at the Warner West End in Leicester Square, via the Lucasfilm THX sound system, that was around 1989 I believe, still kicking myself over that.
But at least I got to see it on the largest screen in the United Kingdom in 1988, cheers David and to you to Robert for making Lawrence look and sound better than it was before.