Omer M
Stunt Coordinator
- Joined
- Apr 13, 2000
- Messages
- 70
First things first, a few words on what the future might hold, in the latest VSDA conference, according to Peter M. Bracke report: "some studios suggested that the "mainstream" consumer preference for full frame will have to be considered and assessed as an option as the DVD market grows. While the option is always there to provide multiple aspect ratios on the same disc, the growing consumer appetite for extensive supplemental content, and the studios unwillingness to adopt DVD-18s at this juncture suggest that some hard decisions will have to be made on what features and formatting options to support, and on which titles. While no studio indicated widescreen was"on the way out", a couple did state that the widescreen option may be eliminated on select titles "when appropriate" to the material."... which can be quite problematic. Quite surprisingly, I talked about this issue a few weeks ago with one of my Columbia European quarters contacts who claimed that European DVDs is still a bit far from being mainstream, and that film's Full Screen only versions is not even as an option considered at the moment. Still not sure what the US studios are planning, but at any rate, at the moment, film buffs will still be covered with widescreen editions on the R2 releases.
Okay okay, after quite long, I am posting a few additions to the thread, hope ya find those additions helpful in some way...
(1) Starting off with G.I Jane, contrary to the non-anamorphic R1 release, the UK release of this Demi Moore title is blessed with 2:35:1 widescreen anamorphic transfer... trailer and audio track remains the same as the US release.
(2) Showgirls - It is show time with the excellent 2.35:1 anamorphic French release, compared with the US 2.35:1 letterboxed transfer, on the supplements side, the French release holds a Theatrical Trailer and filmographies, an English and French PCM stereo tracks and French subtitles compared with an English / French / Spanish Dolby Digital 2.0 Surround tracks, a making-of documentary, a making-of booklet and a trailer on the American counterpart. If ya liked the film and can compromise on supplements, I would go with the French release as the transfer is simply gorgeous.
(3) Not sure how, but I forgot to mention the sumptuous Canal+ French release of Basic Instinct - Version Lounge. (with all the violence and the details of the scene of interrogation, woah) Not only does the disc contains the 128-minute director's cut which was never released on the US disc and was heavily 'censored' (blurring on intimate parts), the French disc also features a Theatrical Trailer, Filmographies, a rather interesting Making Of featurette (English dubbed), a photo gallery of the production and production notes. The nail of the release in my opinion is the splendid 2.35:1 anamorphic transfer, which exceeds any release of Basic instinct I had seen till now, and is surely a reference quality and the very well defined Dolby Digital 5.1 English track. The disc also contains a French DD 5.1 track and Spanish Dolby Surround 2.0 with subtitles in Dutch (as in Holland, not Germany), French and French for the hearing impaired. The only reason I find not to obtain this disc is for being quite pricey (around $29), also, a special edition R1 disc of 'Basic Instinct' with the same features as the Pioneer Special Edition director's cut laser disc is currently planned but the date is yet to be announced (the disc is slated for a 2001 release as far as my sources revealed to me).
(4) Costner's The Bodyguard which was in the infamous format of Full-screen (1.33:1) on Region 1 was treated completely different on its R2 French release, with 1.85:1 anamorphic widescreen transfer (too grainy and too scratched in my opinion), along with the English DD5.1 and subtitles in 10 languages, Filmographies, production notes (In French) and a few posters.
(5) Babe... errr, again, a full screen US release with English DD5.1 compared with an anamorhpic 1.85:1 widescreen UK release, again, with English DD5.1 track. By the way, there was anoter US release of Babe with a DTS track, soooo, if you into the DTS version and don't mind compromise on the Full Screen transfer, the US release is the only way to go.
(6) Can't remember who asked on the irremovable subtitles on Top Gun, anyway, there is no such thing on both the French and the UK release, both with optional subtitles only.
(7) No one ever considered releasing the Preacher's Wife in the US on DVD... so the only way to catch this Whitney Houston film is the French release, which features a 1.85:1 anamorphic transfer along with an English and Italian DD5.1 track and subtitles in 5 languages.
(8) Andie MacDowell's Green Card, which was never released on US as a R1 disc, was released as a French R2 not so long ago, featuring an 1.66:1 anamorphic widescreen transfer along with English / French Dolby Surround tracks, filmographies and the annoying irremovable French subtitles.
(9) Gibson time, Forever Young was treated badly on the US side, with a Full Screen transfer, English Dolby Surround 2.0 track and Production notes. The French R2 counterpart received a much better treatment with an anamorphic widescreen transfer (1.85:1), English / French / Italian Dolby Surround 2.0 tracks and Subtitles in 6 languages along with both Italian and English for the hearing impaired subtitles and Production Notes.
(10) By the way, the French release of Awakenings included a quite good Making of documentary, all the rest is the same as the R1 release.
(11) The French release of Sharon Stone's The Mighty lacked the 2 featurettes presented in the US R1 disc, but was introduced with an anamorphic transfer, compared with the Letterboxed US release. Hmmm, on the other hand, the French release also lacked the DD5.1 track, so this one makes the French release not worthwhile.
(12) Luc Besson's Nikita was released a long long time ago (I can still remember when...) on R1 but was discontinued. I am aware of a planned Region 1 re-issue of this one, but the French release is more than satisfying for those who can not wait, the French R2 disc includes an excellent 2.35:1 anamorphic transfer, an English and French Dolby Surround 2.0 tracks along with subtitles in both English and French and filmographies.
(13) One of the most impressing anamorphic transfers I witnessed before the Fox era (Fight Club and the rest of the new editions) was the French release of Heat, which features a 2.35:1 transfer along with English / French DD5.1 and Subtitles in 10 languages compared with the Letterboxed R1 release (same English track).
Watch for a more additions later today, including an extended Trainspotting, an anamorphic French Kiss and quite a few more, must be going now.
Take care, Laters,
Omer