From BFCA: "Many BFCA members wanted to vote for Kong for best actor because they were so impressed by the astonishing way in which he expresses love, lust, humor and rage in the tradition of the finest human actors," BFCA president Joey Berlin said. "The BFCA board of directors feels this recognition is necessary to live up to our goal of honoring the finest in cinematic achievement at the Critics' Choice Awards show."
Best Picture Brokeback Mountain Crash Good Night, and Good Luck A History of Violence King Kong
Best Foreign Language Film 2046 Cache Downfall Kung - Fu Hustle Oldboy
Best Director George Clooney: Good Night, and Good Luck David Cronenberg: A History of Violence Peter Jackson: King Kong Ang Lee: Brokeback Mountain Steven Spielberg: Munich
Best Screenplay Brokeback Mountain by Larry McMurtry & Diana Ossana Capote by Dan Futterman Crash by Paul Haggis & Bobby Moresco Good Night, and Good Luck by George Clooney & Grant Heslov A History of Violence by Josh Olson
Best Actor Philip Seymour Hoffman - Capote Terrence Howard - Hustle & Flow Heath Ledger - Brokeback Mountain Joaquin Phoenix - Walk the Line David Strathairn - Good Night, and Good Luck
Best Actress Joan Allen - The Upside of Anger Felicity Huffman - Transamerica Keira Knightley - Pride & Prejudice Naomi Watts - King Kong Reese Witherspoon - Walk the Line
Best Supporting Actor Matt Dillon - Crash Terrence Howard - Crash Paul Giamatti - Cinderella Man Jake Gyllenhaal - Brokeback Mountain Mickey Rourke - Sin City Donald Sutherland - Pride & Prejudice
Best Supporting Actress Amy Adams - Junebug Maria Bello - A History of Violence Scarlett Johansson - Match Point Catherine Keener - Capote Rachel Weisz - The Constant Gardener Michelle Williams - Brokeback Mountain
Best Original Score Batman Begins - Hans Zimmer and James Newton Howard Brokeback Mountain - Gustavo Santaolalla Charlie and the Chocolate Factory - Danny Elfman King Kong - James Newton Howard Memoirs of a Geisha - John Williams
Best Cinematography Brokeback Mountain - Rodrigo Prieto Good Night, and Good Luck - Robert Elswit King Kong - Andrew Lesnie Munich - Janusz Kaminski The New World - Emmanuel Lubezki Pride & Prejudice - Roman Osin
Best Documentary Enron: The Smartest Guys in the Room Grizzly Man Mad Hot Ballroom March of the Penguins Murderball
Most Promising Performer Chris "Ludacris" Bridges - Crash and Hustle & Flow Georgie Henley - The Chronicles of Narnia: The Lion, the Witch and the Wardrobe Miranda July - Me and You and Everyone We Know Q’Orianka Kilcher - The New World Owen Kline - The Squid and the Whale
Most Promising Director Craig Brewer - Hustle & Flow Miranda July - Me and You and Everyone We Know Bennett Miller - Capote Phil Morrison - Junebug Joe Wright - Pride & Prejudice
I strongly disagree, but then, since my favorite film of the year is the frontrunner, I'm biased I suppose (and thrilled). I love all the films in contention except Walk the Line, but I even liked that quite a bit. This year nothing has made me say "WTF? Ugh" about a movie in contention. It's been a wonderful year for movies and it'll be a wonderful Oscars.
And Jon Stewart??!! I love it! It just keeps getting better and better!
Vickie--it is really neat to see a movie you love get all the accolades. I (and Chuck I'm sure) experienced that to a greater degree in 1998 with Titanic. No movie I have downright loved has won since then.
I'm glad I didn't follow the oscars in 1978...I would have fallen dead when Star Wars lost to Annie Hall (which is a great movie I'm sure)...I wouldn't have been able to take it.
I WAS crushed, Chris! I was too young to have been interested in seeing ANNIE HALL. I understand now, but I was devastated back then.
This year is comparable (to me) to 2 years ago. CHICAGO won then, and it was and is utterly forgettable. I expect BBM to win this year, and it is the same to me. The only difference is that I would have loved to see GoNY or TWO TOWERS win against CHICAGO and thought that was an ok year. This year, CAPOTE MAY make my Top 10 list (and it is a hard list for me due to the mediocre field), but none of the other potential noms will.
Unfortunately, Titanic won it's Oscars as I was working a MORNING EXERCISE in the Mediterranean next to a little chunk of Italy. I saw none of those wins, and had to read about them via teletype news later that afternoon (or evening). A good HTF friend did supply me with the Oscars telecast on DVD-R, though. 2001 was tough, and not really for FOTR. I would have been more than content watching FOTR lose to Black Hawk Down (unnommed) or Moulin Rouge, or PJ lose to Baz Luhrmman (unnommed) or Ridley Scott. But none of those things happened. I let it (and my investment) in the Oscars go.
I think it was a great year for films myself. I'm a little sad that Batman is getting ZERO notice at all (as it's as well-crafted as any straight drama this year...moreso than most), but I had the feeling a few months ago that the movie business want to reassert themselves as "important", "relevant", and serious after ROTK. The Oscars will reflect that, to some extent. So will the viewership, though.
L.A. Confidential was my favorite film in 1997 (1998 Oscars) but I did (and still do) love Titanic too. I saw it 5 times in the theater, so I was very happy that it swept. It deserved everything it got.
I was even more thrilled by the Return of the King sweep, but the movie didn't hold the deep, magical love of Fellowship of the Ring for me. I loved it but didn't feel the adoring awe I felt with FOTR. No matter though, it was the Best. Oscars. Ever. for me, because I felt that every award was for the series as a whole. Fair or unfair, I didn't care.
Brokeback Mountain isn't like those other movies. It's so very quiet and humble, yet majestic. Sweeping vistas and intimate feelings. Tragic, beautiful, sad, haunting. It dug deep into my heart, and I can't stop thinking about it. I want to see it again, maybe several more times. I can't think of a more deserving Best Picture winner. Munich, well, I could handle it upsetting BBM, but only barely, and nothing else.
Luckily it doesn't look like I'll have to handle anything else upsetting BBM. As more people see the movie, the love for it will grow, and as I said in the other thread, I don't think it's possible for it to have a backlash against it. I don't see how anyone could negatively campaign against it either. It's a simple, beautiful and tragic love story. How do you start a whisper campaign against that? There's nothing for a negative campaign to focus on. Anti-gay campaigning would be the biggest mistake ever, and what else is there? Nothing. That's why there won't be any negative campaigns. It won't win because it's a liberal gay Hollywood movie, it'll win because it deserves to win. It'll win because people will love it enough to vote for it.
Well, to be fair, I don't think the writing and acting in BB deserves a nom. Well, maybe an Ensemble/Cast nod...the performances were that good overall (though there wasn't a singular GREAT performance). But I'd like more than the VES for it. Art Direction, Editing, Costumes, and Cinematography nods are deserved (along with the sound categories). It won't get a VFX because the CGI was limited and immersive, not showy. But it was "real" movie good...not just "blockbuster" good. That said, it's still Batman
Correct. My initial fear was that BBM would win because of a perceived issue vote. Once seen, that is not a factor. The film will win on merit, as it should be.
I would disagree with you there. I thought Christian Bale and Michael Caine gave great performances. I would like to see both get nominations, but it'll snow in hell before that happens.
I'm disappointed that Eric Bana isn't getting any recognition for Munich.