Scott Weinberg
Senior HTF Member
- Joined
- Oct 3, 2000
- Messages
- 7,477
Hi all. You know I dig horror movies, particularly the charmingly goofy ones. With that in mind, here's my review for the new Anne Rice adaptation, The Queen of the Damned.
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After all of the hardship and tumult surroundung this production, it would be great to announce that Queen of the Damned somehow turned out to be a fun little horror flick. Unfortunately, that’s not even almost the case, and the only real entertainment you’ll derive from this choppy and sloppy movie will be from unintentional giggles – several of them.
The birth of this Anne Rice adaptation has been a messy one indeed. Tom Cruise turned down the chance to reprise his role of the moody vampire Lestat, second choice Wes Bentley (American Beauty) dropped out at the last minute, Josh Hartnett (Pearl Harbor) also passed on the gig, and producers scrambled to hire Stuart Townsend (About Adam), an actor who had recently been cast in The Lord of the Rings trilogy, only to be fired by director Peter Jackson after one day of filming. (He was set to play Aragorn, a role that would quickly be filled by Viggo Mortensen.) Anne Rice, apparently concerned that her novels would be adapted less than successfully, offered to throw together a screenplay for free. Warner casually ignored her offer, opting to hire two younger TV writers to do the job. Most tragically, lead actress Aaliyah (Romeo Must Die) was killed in a plane crash as the production was coming to a close, thereby requiring some hasty re-edits and a creepy voice-over dub – delivered by the actresses brother.
Based on the third novel of Anne Rice’s Vampire Chronicles (after Interview with the Vampire and The Vampire Lestat), Queen of the Damned re-introduces us to the devious Lestat as he is awakening from a century-long slumber in a New Orleans crypt. (How Lestat could have participated in his earlier “Interview” while being asleep for 100 consecutive years is only one of the more minor flaws in logic that appear throughout the film.) Immediately after getting a taste of the modern world of sleazy women and rock music, Lestat sets out to become a massive rock star. OK, perhaps “sets out” isn’t the right phrase, since the vampire becomes a world-renowned rocker in less time than it took you to read this sentence.
Discontent with his eternal miseries, Lestat hopes to provoke the undead minions across the globe to end his suffering. To this end, he liberally breaks the “vampire code of eternal secrecy” by filling his rock lyrics with all sorts of arcane vampire information, methods and recipes. Lestat’s sudden notoriety catches the eye of a British organization which is dedicated to observing (but never intruding upon) supernatural phenomenon. One such member, the plucky and doe-eyed Jesse, learns more than she wants to about Lestat, and sets off to discover his secrets. OK, perhaps “sets out” isn’t the right phrase this time either, as Jesse gets chummy with Lestat (the world’s biggest rock star, don’t forget) in about 9 seconds.
Plotwise, that’s basically it. The rest of the film is a tiresome concoction of cheesy CGI effects, atrocious acting performances and…oh yeah, the QUEEN! I knew I forgot something! Lest you think the title character (the one plastered all over the posters and TV ads) should prove to be integral to a film’s plot, Queen of the Damned ends that idea right away. Aaliyah’s role amounts to approximately 17 minutes of the film’s running time, and most of that is during the truly illegible finale.
Back when Interview with the Vampire was nearing production, Anne Rice made a national spectacle of herself by taking out a full-page ad in Variety Magazine stating that Tom Cruise was totally wrong for the role of Lestat. While I don’t think Interview ranks among Cruise’s best performances, it’s generally accepted that he acquitted himself quite well in the role. My question to Anne Rice is simply this: Where’s your full-page ad NOW? If you thought Tom Cruise was the wrong actor to play Lestat, I cannot IMAGINE what you think of Stuart Townsend!
With a complexion that would make an albino look like George Hamilton, an accent that ranges from Hungarian to German to Yiddish and face that looks like Johnny Depp after about 3,000 bee stings, Townsend is a grade-A B-movie hoot. If melancholy mugging and nonstop frothmouth are ever considered art, Townsend’s performance will win a retroactive Oscar. Faring even more ridiculously is poor Aaliyah herself. I realize it’s a touchy subject considering that the girl is now deceased, but if WB wants to release a movie with her in it, I figure her performance is fair game. Simply put, she’s fall-on-the-floor funny in this movie. In a bad way.
While any movie that features such a wretched screenplay, several terrible performances and some truly atrocious editing techniques would be easy to bash, there are some components that are not entirely awful. Director Michael Rymer (In Too Deep) and his production designers have done a bag-up job in making Queen of the Damned at least look quite impressive. A handful of (very brief) action sequences are welcome sights, despite the nonstop overuse of dead vampires caught in full CGI “meltdown”.
The set design and visual flair evident in the movie’s first half (particularly in the relatively entertaining flashback sequences) manage to keep the movie afloat, but the weight of too much overt stupidity, zeppelin-size plot holes, stunning lapses in simple storytelling, and (again) the pathetically choppy editing force this one to sink without a trace.
(:star:1/2 out of 5 :star:s)
--
After all of the hardship and tumult surroundung this production, it would be great to announce that Queen of the Damned somehow turned out to be a fun little horror flick. Unfortunately, that’s not even almost the case, and the only real entertainment you’ll derive from this choppy and sloppy movie will be from unintentional giggles – several of them.
The birth of this Anne Rice adaptation has been a messy one indeed. Tom Cruise turned down the chance to reprise his role of the moody vampire Lestat, second choice Wes Bentley (American Beauty) dropped out at the last minute, Josh Hartnett (Pearl Harbor) also passed on the gig, and producers scrambled to hire Stuart Townsend (About Adam), an actor who had recently been cast in The Lord of the Rings trilogy, only to be fired by director Peter Jackson after one day of filming. (He was set to play Aragorn, a role that would quickly be filled by Viggo Mortensen.) Anne Rice, apparently concerned that her novels would be adapted less than successfully, offered to throw together a screenplay for free. Warner casually ignored her offer, opting to hire two younger TV writers to do the job. Most tragically, lead actress Aaliyah (Romeo Must Die) was killed in a plane crash as the production was coming to a close, thereby requiring some hasty re-edits and a creepy voice-over dub – delivered by the actresses brother.
Based on the third novel of Anne Rice’s Vampire Chronicles (after Interview with the Vampire and The Vampire Lestat), Queen of the Damned re-introduces us to the devious Lestat as he is awakening from a century-long slumber in a New Orleans crypt. (How Lestat could have participated in his earlier “Interview” while being asleep for 100 consecutive years is only one of the more minor flaws in logic that appear throughout the film.) Immediately after getting a taste of the modern world of sleazy women and rock music, Lestat sets out to become a massive rock star. OK, perhaps “sets out” isn’t the right phrase, since the vampire becomes a world-renowned rocker in less time than it took you to read this sentence.
Discontent with his eternal miseries, Lestat hopes to provoke the undead minions across the globe to end his suffering. To this end, he liberally breaks the “vampire code of eternal secrecy” by filling his rock lyrics with all sorts of arcane vampire information, methods and recipes. Lestat’s sudden notoriety catches the eye of a British organization which is dedicated to observing (but never intruding upon) supernatural phenomenon. One such member, the plucky and doe-eyed Jesse, learns more than she wants to about Lestat, and sets off to discover his secrets. OK, perhaps “sets out” isn’t the right phrase this time either, as Jesse gets chummy with Lestat (the world’s biggest rock star, don’t forget) in about 9 seconds.
Plotwise, that’s basically it. The rest of the film is a tiresome concoction of cheesy CGI effects, atrocious acting performances and…oh yeah, the QUEEN! I knew I forgot something! Lest you think the title character (the one plastered all over the posters and TV ads) should prove to be integral to a film’s plot, Queen of the Damned ends that idea right away. Aaliyah’s role amounts to approximately 17 minutes of the film’s running time, and most of that is during the truly illegible finale.
Back when Interview with the Vampire was nearing production, Anne Rice made a national spectacle of herself by taking out a full-page ad in Variety Magazine stating that Tom Cruise was totally wrong for the role of Lestat. While I don’t think Interview ranks among Cruise’s best performances, it’s generally accepted that he acquitted himself quite well in the role. My question to Anne Rice is simply this: Where’s your full-page ad NOW? If you thought Tom Cruise was the wrong actor to play Lestat, I cannot IMAGINE what you think of Stuart Townsend!
With a complexion that would make an albino look like George Hamilton, an accent that ranges from Hungarian to German to Yiddish and face that looks like Johnny Depp after about 3,000 bee stings, Townsend is a grade-A B-movie hoot. If melancholy mugging and nonstop frothmouth are ever considered art, Townsend’s performance will win a retroactive Oscar. Faring even more ridiculously is poor Aaliyah herself. I realize it’s a touchy subject considering that the girl is now deceased, but if WB wants to release a movie with her in it, I figure her performance is fair game. Simply put, she’s fall-on-the-floor funny in this movie. In a bad way.
While any movie that features such a wretched screenplay, several terrible performances and some truly atrocious editing techniques would be easy to bash, there are some components that are not entirely awful. Director Michael Rymer (In Too Deep) and his production designers have done a bag-up job in making Queen of the Damned at least look quite impressive. A handful of (very brief) action sequences are welcome sights, despite the nonstop overuse of dead vampires caught in full CGI “meltdown”.
The set design and visual flair evident in the movie’s first half (particularly in the relatively entertaining flashback sequences) manage to keep the movie afloat, but the weight of too much overt stupidity, zeppelin-size plot holes, stunning lapses in simple storytelling, and (again) the pathetically choppy editing force this one to sink without a trace.
(:star:1/2 out of 5 :star:s)