Sam E. Torres
Second Unit
- Joined
- May 31, 1999
- Messages
- 436
apparently not everyone is getting it on the 18th.
Magnolia's pretentious attempt at being Short Cuts II: The Next DayRespectfully, point taken. However, since I had the crazy notion that Magnolia stands on its own feet despite the inevitable comparisons to the Altman deity, I have a feeling I will enjoy PDL slightly more than you did. PTA's films, like Altman's, express their inherent pretention with a contagious, unabashed ambition.
Joseph
despite the inevitable comparisons to the Altman deityI never once thought of Altman while watching Magnolia. Not once. The sensibilities of the two filmmakers are so different that the comparison strikes me as pointless. Both Magnolia and Short Cuts are long films, and both have Julianne Moore. Other than that, they don't have much in common.
M.
Both Magnolia and Short Cuts are long films, and both have Julianne Moore. Other than that, they don't have much in common.Really? They don't have a similar story structure? They're both a day in the life of a group of people in L.A., with often cliched L.A. troubles (marital troubles, substance abuse troubles), that culminates in a environmental event that somehow (we're meant to believe) ties them all together. I don't think I'm stretching at all with this comparison and I'm surprised that you don't see it.
DJ
I don't think I'm stretching at all with this comparisonWhile I don't see it as a stretch to compare the two films, I simply don't agree that Magnolia's inherent similarities to Short Cuts et al. automatically make it the lesser film.
~j