John Doran
Screenwriter
- Joined
- Jan 24, 2002
- Messages
- 1,330
1) there are undeniable catholic, or at the very least, christian elements to the theology. the spear that killed christ - recognized in the film as god's son - is a key item; a statue of mary is prominent in one scene; there is a priest who is an exorcist; there is lucifer; water plays as central a role in the film as it does in catholicism. and so on.
i did not imply that it was a wholly catholic theology, but only that catholic theological traditions lay at the movie's heart; the fact that there are numerous departures therefrom in no way makes my claim any less true.
2) the movie is most assuredly not essentially manichaean, and is only incidentally manichaean to the extent that mani's original philosophy included some bastardized christian themes along with its "essentially" chaldean folklore and astrology as a concession to the historical contingency of christianity's incipient influence in the east. that is, if he ewanted to make his thought appealing on a widespread basis, he had to throw in some ad hoc concepts and themes familiar to the christians he would be trying to convert.
i can only imagine that the feature of the movie that you are picking out by your claim is the movie's use of a force of good and a force of evil, which is about all that anyone knows about manichaeanism these days. but, in mani's philosophy, those two powers were equal, and were each eternal and in endless opposition. in the film, however, the devil is obviously created by god, and is obviously consigned to a hell not of his own creation.
what's more, mani despised the mystery of christianity and sought to develop his own philosophy on what he believed to be comprehensively forensic reasoning, which seems to be the pretty straightforward opposite of both the movie and the comic's reliance on the unexplained.
which means that, in my estimation, there's way more catholicism in the movie than there is manichaeanism.
i did not imply that it was a wholly catholic theology, but only that catholic theological traditions lay at the movie's heart; the fact that there are numerous departures therefrom in no way makes my claim any less true.
2) the movie is most assuredly not essentially manichaean, and is only incidentally manichaean to the extent that mani's original philosophy included some bastardized christian themes along with its "essentially" chaldean folklore and astrology as a concession to the historical contingency of christianity's incipient influence in the east. that is, if he ewanted to make his thought appealing on a widespread basis, he had to throw in some ad hoc concepts and themes familiar to the christians he would be trying to convert.
i can only imagine that the feature of the movie that you are picking out by your claim is the movie's use of a force of good and a force of evil, which is about all that anyone knows about manichaeanism these days. but, in mani's philosophy, those two powers were equal, and were each eternal and in endless opposition. in the film, however, the devil is obviously created by god, and is obviously consigned to a hell not of his own creation.
what's more, mani despised the mystery of christianity and sought to develop his own philosophy on what he believed to be comprehensively forensic reasoning, which seems to be the pretty straightforward opposite of both the movie and the comic's reliance on the unexplained.
which means that, in my estimation, there's way more catholicism in the movie than there is manichaeanism.