Michael Elliott
Senior HTF Member
09. White Heat (1949) :star::star::star::star:
Terrific film with James Cagney returning to the crime/gangster genre after ten years off. In the film Cagney plays Cody Jarrett, a psychopath gangster who has a thing for his old ma (Virginia Mayo). Today this film remains one of the greatest gangster pictures but it must have been even more fun for people back in 1949 when it was released due to the fact that Cagney hadn't played this type of role for so long. There are many flaws in this film but in the end it really plays out as a greatest hits package for its star. We see countless of the famous Cagney notes from the hot temper to the woman abuse to the violent gunplay. The opening robbery throws Cagney right back into the heat with some terrific action and rather cold blooding murders. I think Cagney was a tad bit too old for the part but he overcomes this with one of the greatest performances in his career. His breakdown in the prison cafeteria is brilliantly done as is his relationship with his mother. Mayo is just as great in her role but I've always felt Edmond O'Brien has been overlooked by fans and critics. I think the work between he and Cagney is just as strong as the relationship Cagney has with the mother. The ending is one of the greatest and most memorable in film history.
10. Mayor of Hell, The (1933) :star::star::star:
James Cagney plays a crime boss who uses his power to get a "real" job working in a boys reformatory school. At first he doesn't take the job too serious but then he sees how the boys are mistreated so he takes over running the school and tries to turn it into something good. This film was remade twice in the next six years with Crime School and Hell's Kitchen and while both of those films were very entertaining there's no question this is the best of the three versions. One thing that helps is the fact that this one was made before the code came into play so it has a lot more of a raw feel to it whereas the remakes were toned down in content. Another added bonus is seeing Cagney who once again delivers a strong performance. He doesn't show up until the twenty-five minute mark and it speaks well of the young actors who hold the film up before the star gets on screen. The supporting players all do fine work with Madge Evans as the love interest, Allen Jenkins as Cagney's sidekick and Dudley Digges as the bad guy running the school. I think one fatal flaw is the ending and the aftermath. The ending turns into a Frankenstein type setting, which might have worked but the aftermath is so rushed and faked that it really ends the film on a sour note. Outside of that this is a pretty good drama with its heart in the right place and the toughness you'd expect from a Warner/Cagney film.
Terrific film with James Cagney returning to the crime/gangster genre after ten years off. In the film Cagney plays Cody Jarrett, a psychopath gangster who has a thing for his old ma (Virginia Mayo). Today this film remains one of the greatest gangster pictures but it must have been even more fun for people back in 1949 when it was released due to the fact that Cagney hadn't played this type of role for so long. There are many flaws in this film but in the end it really plays out as a greatest hits package for its star. We see countless of the famous Cagney notes from the hot temper to the woman abuse to the violent gunplay. The opening robbery throws Cagney right back into the heat with some terrific action and rather cold blooding murders. I think Cagney was a tad bit too old for the part but he overcomes this with one of the greatest performances in his career. His breakdown in the prison cafeteria is brilliantly done as is his relationship with his mother. Mayo is just as great in her role but I've always felt Edmond O'Brien has been overlooked by fans and critics. I think the work between he and Cagney is just as strong as the relationship Cagney has with the mother. The ending is one of the greatest and most memorable in film history.
10. Mayor of Hell, The (1933) :star::star::star:
James Cagney plays a crime boss who uses his power to get a "real" job working in a boys reformatory school. At first he doesn't take the job too serious but then he sees how the boys are mistreated so he takes over running the school and tries to turn it into something good. This film was remade twice in the next six years with Crime School and Hell's Kitchen and while both of those films were very entertaining there's no question this is the best of the three versions. One thing that helps is the fact that this one was made before the code came into play so it has a lot more of a raw feel to it whereas the remakes were toned down in content. Another added bonus is seeing Cagney who once again delivers a strong performance. He doesn't show up until the twenty-five minute mark and it speaks well of the young actors who hold the film up before the star gets on screen. The supporting players all do fine work with Madge Evans as the love interest, Allen Jenkins as Cagney's sidekick and Dudley Digges as the bad guy running the school. I think one fatal flaw is the ending and the aftermath. The ending turns into a Frankenstein type setting, which might have worked but the aftermath is so rushed and faked that it really ends the film on a sour note. Outside of that this is a pretty good drama with its heart in the right place and the toughness you'd expect from a Warner/Cagney film.