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- Ronald Epstein
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Let's hope Mr. Harris gives us a few more words . . .Me too. It's due out tomorrow yet I can't find a whisper about the quality of the disc anywhere!
I wonder how much of an improvement is it over the previous Blu-ray release? I have that release, but haven't watched it so I need to do so before I think of buying this one.Let's hope Mr. Harris gives us a few more words . . .
I wonder how much of an improvement is it over the previous Blu-ray release?
I figured you would say that.Well, in my opinion it would almost HAVE to be, lol. But my thoughts on that release are WELL documented so I won't beat a dead horse. At this point, though, there's a high barre that has to be cleared before I give them my money AGAIN.
So you're saying with this movie some things ARE Sacred ...Well, in my opinion it would almost HAVE to be, lol. But my thoughts on that release are WELL documented so I won't beat a dead horse. At this point, though, there's a high barre that has to be cleared before I give them my money AGAIN.
I wonder how much of an improvement is it over the previous Blu-ray release? I have that release, but haven't watched it so I need to do so before I think of buying this one.
Here is a screencap comparison of the 2011 Blu-Ray sourced from David O. Selznick's personal nitrate print (courtesy of DVDBeaver) and the new 2018 Blu-Ray sourced from the restoration performed by Disney.
OH MY GOD!!!!
THAT'S what the new Kino blu-ray looks like? It's confirmed this is, at long last, the Disney restoration some 18 years later???
I can't believe we're FINALLY getting a blu-ray that does justice to this wonderful movie. I'm buying this IMMEDIATELY and thanks for the heads up!!
This is the Disney restoration. Confirmed here by Kino Lorber Insider. It was acquired through a recent deal Kino Lorber struck with Disney that includes titles from the Touchstone, Hollywood Pictures, ABC Films, and the Selznick library.
I'm not sure if this falls into the category of "I have that release but haven't watched it" as I have tried to watch the 2011 Blu-Ray unsuccessfully several times, but usually give up, as the color is simultaneously garish and washed-out. I know that's a contradiction in terms, but that's how it looks to me."I have that release, but haven't watched it" is a common theme in posts all across Home Theatre Forum, and every time I notice it I think: these are my people.
I'm not sure if this falls into the category of "I have that release but haven't watched it" as I have tried to watch the 2011 Blu-Ray unsuccessfully several times, but usually give up, as the color is simultaneously garish and washed-out. I know that's a contradiction in terms, but that's how it looks to me.
According to Mr. Harris & other vintage film conservators (see response #13 above) early 3-strip Technicolor prints were generally muted, and darker than we're used to seeing in their later incarnations on Eastman stock, which was brighter. This was a conscious decision on the part of David O. Selznick, who produced NOTHING SACRED, as well as A STAR IS BORN, THE GARDEN OF ALLAH THE ADVENTURES OF TOM SAWYER and GONE WITH THE WIND, as he was looking for a greater sense of realism in terms of color reproduction, as well as Nathalie Kalmus, the chief Technicolor consultant (and also the wife of the inventor of Technicolor) who insisted that filmmakers avoid bright primaries in designing the sets and costumes and focus on more muted, pastel shades.I enjoyed the film a great deal but I also never bothered to rewatch it since the disc was just that bad. I get what you mean by "simultaneously garish and washed-out," though. Parts that should be bright are dark and vice versa, parts that should be colorful and vivid are drab and vice versa. The new one looks much more balanced. My only question, though, is why everything is so much darker?